dirty martini

old music for new people

the other side August 3, 2008

 

you know all those bonus tracks that surface once an album is released? we used to get them as b-sides. occasionally an instrumental would be bunged on there, or a remix, but in the 80s, you were pretty much guaranteed at least an album track if not something which didn’t make the cut.

for kids with only a few 7 inches to entertain them throughout the summer, this could mean that you were as familiar with an artist’s rarities as you were their hits.

some b-sides i miss:

karyn white – language of love (superwoman)

sister sledge – hold out poppy (frankie)

download here

five star – love gamesb-side to rsvp

janet jackson – he doesn’t know i’m aliveb-side to what have you done for me lately

madonna – pretenderb-side to material girl

mai tai – rules of love – b-side to body and soul

mel and kim – systemb-side to showing out

michael jackson – can’t get outta the rainb-side to billie jean

new edition – jealous girlb-side to popcorn love

nkotb – valentine girl – b-side to step by step

pepsi and shirlie – dreamingb-side to heartache

prince – 17 daysb-side to when doves cry

whitney houston – moment of truthb-side to i wanna dance with somebody

wham – where did your heart gob-side to edge of heaven

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madonna should have retired in the 80s July 23, 2008

i’m updating this post as the download link expired.

i’m not even going to pretend or aspire to a real appreciation of anything that madonna did after 1989.

at the start of her career, madonna represented a backlash against society. it was punk for people who didn’t like punk music. madonna swore, acted stupid and girly, married a bad boy and wore what the hell she liked.

for me, things started to go downhill when she tried to morph into marilyn monroe for her true blue album in 1986. by the end of the decade she was making good music but the controversy she incited was planned, not accidental. the religion baiting ‘like a prayer’ was pepsi endorsed , ‘justify my love’ had a full length video by jean baptiste-mondino. there was none of the grit left of a girl who worked in dunkin’ donuts to support herself while she recorded a demo.

we loved the electric, synthesised beats, raw vocals and a unique style. we don’t need to see madonna in jean paul gaultier or d&g, anyone with money can wear those labels. messy dirty blonde hair, stretch lace, ripped tshirts and leggings – all of these were her signature style but after desperately seeking susan she seemed to distance herself from the very image that made her.

if madonna had retired almost twenty years ago in 1989, and lets face it she could afford to have done, would her legacy be greater? the erotica phase was an embarrassment, the little girls who had idolised her were rapidly growing into young adults and didn’t need to see their childhood inspiration acting like a depraved teenager. the whole kabbalah thing is a joke, and the marriage to guy ritche makes her seem more likeable, which was never the point of madonna.

the only songs i have really liked from madonna post-dick tracy have been ‘deeper and deeper’, ‘take a bow’ and ‘don’t tell me’. but i could have lived without them. and then – i contradicted myself by listing ten songs by madonna post-gambler that i don’t hate

download madonna originals here

get up

very early 80s pop, almost post-disco soul with a blondie inspired copycat rap at the end. possibly penned as an ode to her time in new york pre-fame. its a long way from this to abba-sampling on ‘hung up’. now that was something i never expected…

crimes of passion

could have fitted easily into ‘like a virgin’ but wasn’t really dancey enough for her debut i suppose. if this had been leaked in 1985 we’d have been in raptures.

don’t you know

this song, recorded in 1981 along with ‘stay’ amongst others, was eventually incorporated into the version of ‘stay’ on the ‘like a virgin’ album. i like this demo, it’s bouncier and has nice zaps and bleeps.

ain’t no big deal

recorded to be madonna’s first single, but left off the album entirely due to a dispute with ex-boyfriend stephen bray, but later rerecorded and used as a b-side.

lucky star – original 12″ mix

posted in its full glory as you can’t have too much ‘lucky star’. one of my favourites and deceptively child friendly which is probably why my parents let me buy it. i wasn’t allowed to dress like she did in the video though. 

spotlight

we didn’t hear this until the ‘you can dance’ remix album in 1987, but it was recorded for the ‘true blue’ album. of course these days it would leak along with the album. makes you wonder what else exists. back then we literally only heard what artists wanted us to.

burning up – original uk version

when i bought ‘the first album’ on cd i was confused. i thought i remembered ‘burning up’ being better, and dancier, than this. it seems in the US and rest of the world, they used a guitar driven mix that I’d never heard. on the UK tape version, we had what was apparently used on only early vinyl copies. its so much better. but the demo version, which i recently discovered, is nice and sparkly, rather than grungey, as well.

physical attraction

i love the bleepy almost aquatic sound to this track. or maybe its because i got back from swimming on the day i was bought ‘the first album’ as an early birthday present and that’s just the association i’m making…this is the full album version cos i love the spoken bit in the middle. i was too young to understand or appreciate the sentiment.

borderline – first album version

again, the version those of us in the UK will be most familiar with as it was on our version of ‘the first album’. i really love this song, more so now.

gambler – dance remix

many people seem to forget about this track as unless you were going to buy the ‘vision quest’ soundtrack, and let’s face it no one was, you could only get this on vinyl. but it’s madonna at her best, the exact reason why we loved her and parents didn’t. at the point this was released, madonna could have sneezed and gone top 10.

crazy for you – soundtrack version

the perennial end-of-the-disco favourite. this song, along with ‘into the groove’ and ‘holiday’ was in the top 10 for most of the summer in 1985 and i played them incessantly. i was in my first year at junior school and madonna was like nothing else we’d seen before. this version goes on a bit longer than the single version i had, i think that’s the only difference

into the groove – original version

it took a while for me to realise that the version on the ‘immaculate collection’ is not the original. its obviously different, and utter crap, but we weren’t so finely tuned to recognise remixes back then. anyway, once i realised, i got rid, and replaced it with this far superior original. shep pettibone should be ashamed of himself.

dress you up – formal mix

this is a very 80s 12″ – ie. a bit longer, some extra beats, a few sound effects. its appeal has been tarnished somewhat by featuring in a gap ad but don’t let that put you off.

angel – 12″ mix

another very 80s 12″, but this one provides some much needed oomph, much as i loved the original.

 

the fresh prince of the o2 August 30, 2007

prince-2.jpg

ok so i am going to see prince this week at the o2 stadium, and i’m getting a little excited.

i’m not a concert goer really, i have to really want to see an artist. prince has done a really good thing for his fans – firstly he’s kept ticket prices down and secondly he’s promised to sing what his fans want to hear. say what you want about his eccentricities but these actions speak volumes about his commitment to his fans.

to get myself in the mood, here are some more rare prince tracks, as a sequel to my first ever post. also check out those he produced for and those who went ahead and adopted his sound anyway…

download here

9 lives

originally written for cat glover and then turned into an unreleased morris day and the time track recorded for their 1990 album, pandemonium. the bassline sounds a bit like ‘7’ but this is more uptempo.

acknowledge me

unreleased track from the gold experience sessions that actually samples two other unreleased tracks from the 80s. very typical of prince’s early 90s output.

all day all night

a 1984 outtake, which probably means it was intended for around the world in a day. ended up on jill jones’ album three years later.

baby gogo

written for nona hendryx in 1986. i haven’t heard her version but i love the production on his.

extra loveable

one of my absolute favourite unreleased prince tracks – can only have been left off ‘1999’ due to the controversial lyrcis. but aren’t most of his lyrics controversial?

i wonder

written for purple rain, left off, then  prince returned to it 8 years later to rerecord new vocals. still unreleased despite being a fan favourite.

if i love you tonight

written in 1979 for an early incarnation of prince’s band the revolution,. actually released 11 years later by mica paris.

irresistible bitch

originally a 1982 b-side, then rerecorded for the abandoned camille project, with wendy and lisa on backup.

love..thy will be done/martika’s kitchen

former disney kid martika’s first album was pop fluff and covers. for her second album, prince provided her with a ready made set including these two songs.

miss understood

outtake from the 1984 project ‘the family’.

player

part of ‘the symbol’ sessions, this is a nice laid back tune.

the sex of it

written for and recorded by kid creole, but i prefer prince’s version.

 

purple music April 17, 2007

so, for my first post i’m tackling the big one. prince.

well, prince himself is rather small but his catalogue of work is…a monstrosity. with another artist, a prolific output could amount to countless filler, mediocre demos and alternate (ie. crap) versions of their better known work. but with prince, not so much.

some of prince‘s b-sides, leftover album tracks and unreleased gems are as popular amongst fans as his hits. and just when you think there can’t be any more, he unleashes yet more lost jams – seriously, from 1976 to 1990 this man must have only have been let out of the studio to perform.

I’m going through a serious prince moment right now. 2007 has seen a return to his patented minneapolis funk style amongst the r&b community in particular. p diddy and fergie’s press play reject ‘all night long’, ashanti‘s ‘my number babe’ and unklejam‘s ‘love ya’ to name just three.

one of the disconcerting things about growing up listening to prince was that at an early age, you suspected that you were already taller than him. his songs had cute, girly titles like ‘pink cashmere’, ‘peach and ‘kiss’ that failed to alert your parents to the rudeness that lied beneath. and like most little girls he loved purple and was unashamedly crazy. he loved to dress up and act like a diva – we identified.

during the ‘symbol’ era, many thought he had taken self-obsession a step too far – he thought he was unique, and therefore untouchable. the critics disagreed but guess who ended up being right?

one of great things about prince is that he was happy to share the limelight. to give up some of his best songwriting to other artists such as chaka khan (i feel for you), the bangles (manic monday), and sinead o’connor (nothing compares 2 u), was an inspired move that ensured his longevity. back in the day, when you literally bought the album and hoped for new b sides, his output was consistent rather than overwhelming and you never had the opportunity to get tired of him (beyonce, take note). whilst his latest protege or composition, liberally sprinkled with his signature style, wowed the public, he was backstage plotting his next move.

he remains to this day the daddy of the protege business, using his purple magic to launch the albeit short-lived careers of taja sevelle, vanity 6, jill jones and sheila e amongst others, and the various bands he performed with over the duration of his career – the time, the family, the revolution and the new power generation.

this is my current hard to find prince top 10 – it changes daily. i have more prince on my mp3 player than any other artist – about 150 tracks. ok, so these days you can download anything but these are non-album tracks, at least.

you can find more rare prince here, some tracks he wrote for other artists and some varying attempts to replicate his style.

top 10 hard-to-find prince mp3s… download here

17 days
originally written for vanity 6 sequel project appollonia, prince eventually released this as the b side to ‘when doves cry’ in 1984. amazing bassline, almost as good as the a side.

wonderful ass
classic prince circa purple rain. no idea why it didn’t make the cut – maybe warner bros. couldn’t handle the concept of a song with ‘ass’ in the title? well, it was 1983.

sex
again, prince tells it like it is and this gem doesn’t make the cut for the ‘batdance‘ soundtrack released in 1989. just before color me badd moved the boundaries of acceptability…

tell me how u wanna b done
remix of ‘the continental’ from the ‘symbol’ album. but much better.

cindy c
1987’s controversial ‘black album’ was pulled due to concern over the overt eroticism of the lyrics…uh…had they been listening to the other lyrics up until this point? prince apparently had a huge crush on cindy crawford, despite her towering over him by a good nine inches.

erotic city
ok, so prince is obsessed with sex. but this b side to ‘let’s go crazy’ is a fan favourite and still tears up the dancefloor.

love or $
hard to find track featured in the film ‘under the cherry moon’ that failed to make the cut for the accompanying soundtrack, ‘parade’. only ever officially released as the b side to ‘kiss’.

last heart
an album track from the 1985 ‘dream factory’ project that got shelved when prince was forced to streamline the content to create 1987’s ‘sign of the times’ album.

18 and over
1991 diamonds and pearls-era reject that picks up where ‘gett off’ and ‘cream’ left off…

underneath the cream
a track from 2004’s ‘chocolate invasion’ album which was only available via the npg music club.

expect more prince in future posts…