dirty martini

old music for new people

cheesy quavers October 2, 2008

 

funny, i didn’t really like old skool when it wasn’t old. i thought most of it sounded scary. now it reminds me of boy racers who you could hear ten minutes before they arrived, underage nights out and sounds a hell of a lot better than the ish kids have to put up with now.

i used to go the clubs, sterns in worthing usually, with my boyfriend. i never enjoyed it as it was usually on a thursday night and i had school the next day and I was slightly worried that my parents would discover that I was 1. not really staying with a friend 2. off my head 3. a good hour away from my hometown.

fortunately they were ‘hey, we used to go clubbing when we were 15, its cool just don’t get too drunk/arrested/into a car with anyone you don’t know’. so they were happy enough to let me go clubbing (sort of) but trusted me a bit too much.

i recently revealed all on my clubbing years to my mum, more than 15 years on, and if we still lived in the same house, I think i would be grounded for the next 15 years…

download cheesy quaver mix

liquid – sweet harmony

bizarre inc – playing with knives

convert – nightbird

dj seduction – hardcore heaven

shades of rhythm – extacy

cubic 22 – night in motion

sy-kick – nasty

urban shakedown – some justice

house crew – euphoria

phuture assassins – future sound

sonz of a loop da loop era – far out

awesome 3 – don’t go

2 bad mice – bombscare

zero b – lock up

shut up and dance – art of moving butts

altern 8 -evapor8

rhythm section – coming on strong

t99 – anasthasia

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big fish little fish June 16, 2008

for those who were too young, think the flashback scene in ‘human traffic’. whistles, vicks, big fish little fish cardboard box.

actually i was too young but on the odd night i managed to sneak out to a rave, at legendary south coast club sterns, with my older boyfriend who had delusions of dj grandeur.

this mix is a nod to the inbetween years – post-acid house but more balearic and trippy than hardcore. when rave wasn’t a dirty word.

this was true warehouse rave. dancing in a field until 6am before that idiotic criminal justice act. the prodigy, autechre and orbital all protested by releasing non-repetitive beats and printed digs at the new law. where is it now?

download here

final cut – take me away

bug kahn and the plastic jam – made in two minutes

rhythm on the loose – break of dawn

cartouche – feel the groove

turntable hype – set you free

digital boy – gimme a fat beat

cola boy – 7 ways to love

oceanic – insanity

bizz nizz – don’t miss the partyline

adamski – n-r-g

bowa – different story

nomad – i wanna give you devotion

t99 – anasthasia

lfo – lfo

plez – can’t stop

lennie de ice – we are ie

bizarre inc – playing with knives

quadrophonia – quadrophonia

 

garage city: the beginning April 26, 2008

the bacardi club chart was the closest i really ever got to garage in 1991. i was still at school, after all.

on the occasions my borrowed/faked ID got my 15 year old self in to a club or bar (and this is 91 so we are talking wine bar not the current club/bar/chill incarnation), it was either playing music ten years out of date, or simply red. and i had to be home by 12 unless we were puling the old ‘say you’re staying at mine and i’ll say i’m staying at yours’ trick. becuase if you’re sleeping over at a friend’s…you would need a sheer chiffon shirt with hotpants. good job my mum had stopped trying to pack overnight bags for me by then.

we did have the occasional illegal night put on in some dodgy warehouse but i only remember ever going to one. and of course, 1991 was mostly about rave anyway.

download here

brand new heavies – stay this way – morales’ eclipse mix

mariah carey – someday – new 12 inch house mix

incognito and jocelyn brown – always there – morales mix

fortran 5 – look to the future – joey negro future reality mix

reese project – direct me – joey negro disco blend mix

alison limerick – where love lives – classic mix

dionne – if u want my love

deep sleep – love me

korda – move your body

mass order – lift every voice – classic boot mix

jomanda – got a love for you – hurley’s house mix

mk and alana – burning – mk mix

those guys – tonite

djaimin – give you – syndromad mix

mariah carey – emotions – 12″ club mix

ce ce peniston – finally – classic mix

m people – how can i love you more

 

 

top one nice one get sorted July 31, 2007

are you the little girl who immortalised the above phrase into rave culture over altern8 beats and sonic whooshes? I hope to god you don’t now listen to the klaxons and think it’s the same thing.

i was actually quite afraid of the techno rave of the early 90s with its belgian hoover noises and scary choir samples. it wasn’t really for girls – even gas masks, vicks and curtain style hair aside, the music itself was a bit evil sounding. but the bf loves it, hence this mix. i do have a soft spot for old skool in general, and did frequent sterns as a jailbait 15 year old with her wannabe dj boyfriend.

imagine my curiosity when i heard about nu-rave. imagine my disgust when i actually heard it.

yes, partly i hate it because it makes me feel old in the same way that leggings do. but mostly i hate it because if there’s one thing i hate, its indie music. nu-rave might as well be called ‘how to kill dance music in one easy step’. put a fucking band in there. that is so not the point. if you don’t like dance music, you’re not a raver, end of. oh, and the nme dd not, have not and never will have anything to do with dance music.

yes, the happy mondays and the whole madchester scene mixed genres. because they couldn’t remember their own names least of all what type of band they were. and bez needed something to dance to. there is none of the originality, danger or excitement of the old rave scene. where’s the new hacienda? this is a sanitised, mtv-approved movement for kids who got picked up from school every day.

the crowd are the principal reason this will not work. whether the latest movement is original, meshed or outright plagiarism, its the mass market that drive a scene. the only people who like indie music are public schoolboys and girls. old skool ravers were real people. big brother provides a nice illustration of this point – apparent inventor of indie music emily, who clearly hates herself for being white, and pink haired old comedy cheesy quaver tracey.

students, of course, are equally responsible for this travesty as the nme. deprived of proper rave because they’re born too late, trying to appropriate something that belonged to a previous generation. is it me, or have students regressed back into the desperately seeking irony twats they were in the 80s?

in the mid 90s, one of my lecturers accused us of being ‘benettonized’. the explicit meaning being that we had mobiles we couldn’t pay for, nice clothes we’d worked all summer for and spent our grants on nights out at the ministry of sound. the implicit meaning being that students were supposed to be rich but act poor and listen to music that made you depressed and therefore a more authentic pauper. but the line had been blurred thanks to over generous government funding for education. now only those who are prepared to take on £30k debt or have rich parents go to university and we’re back where we started. well let me tell you, irony has no place in dance music.

true ravers will seek out the old skool, so this mix is for them.

Proper rave for grown ups and Tracey from BB8 – download here 

acen – close your eyes – xxx mix

zero b – lock up

cubic 22 – night in motion

isotonik – different strokes

prodigy – charly – joey beltram mix

quadrophonia – quadrophonia

ace of the space – 9 is a classic

messiah – temple of dreams

kevin saunderson – tronik house

channel x – rave the rhythm

cls – can you feel it

human resource – dominator

prodigy – android

lfo – lfo

toxic two – rave generator

altern8 – infiltrate 202 – joey beltram mix

bizarre inc – plutonic

digital orgasm – running out of time

praga khan – injected with a poison

westbam – mayday anthem

orbital – chime – joey beltram mix