dirty martini

old music for new people

cool britannia January 5, 2008

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watching ruby turner on jools holland the other day was further proof of the abundance of underappreciated talent we have in the uk.

this is a selection of new and old uk talent, worth investigating.

download here 

terri walker -flirtin’

sadly, terri will at best be underrated in the beverly knight tradition for the rest of her career. her three albums are ten times better than anything mya has ever put out…

soul ii soul – love enuff

new age funksters who retained their peace and love vibe well into the mid 90s when everyone else had given up.

loose ends – choose me

those that know revere loose ends as the 80s soul band to end them all.

five star – rsvp

family group who turned out to have more in common with jacksons than we thought possible – a veritable mountain of plastic surgery. this song is from their first album, when they had their own noses and steadman didn’t look like a circus freak.

light of the world – no1 girl

named themselves after a kool and the gang album, and had several hits. after splitting in 1981 some members went on to form beggar&co, who also had some success.

heatwave – super soul sister

ok only the keyboardist was british, the band was in fact, international. heatwave were responsible for standard ‘always and forever’ and countless 70s funk gems.

cool notes – i forgot

originally part of the young south london lovers’ rock scene, then a jheri soul success, by uk standards, with several top ten hit.

central line – you’ve said enough

another success, and singer camelle hinds is still active.

leona lewis – suga sweet

a pre-fame remake of juicy’s 1985 jheri soul hit ‘ sugar free’. some more midtempos like this would have sat well on ‘spirit’…i hope she gets back to this style for her second album. leona had the biggest selling uk album of 2007 so even in this uncertain era for the music industry, this hopefully means a sophomore effort is a dead cert!

celetia – special

the uk’s answer to brandy and aaliyah in the 90s – sadly without the success but happily without the drama. this was from her second album, ‘runaway skies’.

shola ama – who’s loving my baby

still waiting on that comeback, shola. and sister sadie’s debut for that matter….what’s going on ladies? shola had the biggest selling r&b album in the uk, of all time.

lemar – fresh

things have also gone a bit quiet on the lemar front, after three successful albums. apparently a radio DJ in barbados mistakenly announced his name was ‘lemar bedingfield’  and now the population, or at least those listening, now believe he is related to those tiresome, delusional big-toothed horrors….as if!

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00s brit soul – national identity June 3, 2007

finally, after the copycat 80s and highs and lows of the 90s, british soul was ready to take on its own identity.

one of the first ways in which it achieved this was by redefining soul. house and garage were big business in the 90s, but the urban clubs and superclubs rarely mixed. typically, r&b was a smaller room adjacent to the the cheesier, townie clubs and didn’t even get a look in at cream, renaissance and the ministry of sound.

 

the speed garage scene that took off in the late 90s eventually slowed to a two step beat, and created a completely new sound. r&b vocals were married to stuttering, club-friendly beats and for a few years, between 1999 and 2002, uk garage was the sound of young UK.

 

after the inevitable drop in demand, uk hiphop and r&b were faced with a decision. either they could continue to emulate their US counterparts or they could use elements of uk garage to make their output distinctly british.

now we have traditional soul, copycat r&b, grime and some artists that defy classification and confuse the hell out of the yanks. we’re back in business…

 

twelve very different uk tracks from the 00sdownload here


 

 

 

 

 

 

 

 

 

 

lemar – if there’s any justice

the only good thing to come out of the dull fame academy, simon cowell surely wishes he’d been able to get to lemar first. lemar, like girls aloud, has truly transcended his reality show beginnings and is pretty much the best current british male r&b act.

 

 

misteeq – why

south london girl band who leveraged links with the so solid crew to create a successful career in the early 00s. swiftly shook off their uk garage roots by the time they reached their second album in 2002. the group split largely due to their label, polydor, sinking after investing way too much in tone deaf victoria beckham. that’s got to hurt.
 

unklejam – love ya

relative newcomers who have been blessed/cursed with the ‘sounds a bit like prince‘ tag. time will tell if there is more to them than this track, but the odds are in their favour with the hype reaching all corners of the globe right now. another myspace success.

 

 

 

 

 

 

 

 

 

 

 

sadie ama – so sure

shola’s little sister had a valuable induction into the industry at an early age, and she’s making some good choices production-wise, collaborating with the likes of kano and terror danjah amongst others. looks and sounds exactly the same – with shola expected to relaunch anytime soon, could be interesting.

 

 

 

 

 

 

 

 

 

 

conner reeves – oughtabelaw

irish soul boy who first came to prominence in the late 90s. this track from last year deserved way more attention. possibly one of the breed of artists that has suffered greatly from the download revolution as his image doesn’t quite fit his music. i always think people navigate this poor fit by just grabbing the audio.  

 

 

 

 

 

 

 

 

 

 

 

 

emmanuel and terri walker – flirtin’

always tipped to break through. hopefully it will happen for her before she is talked into a beverley knight-style commercial compromise. this track is from emmanuel‘s 2006 project that featured numerous british soul artists on his productions.

 

 

 

 

 

 

 

 

 

keisha white – open like so

came through around the same time as keyshia cole, and is far more talented, but received about 5% of the promotion. so, keyshia collaborates with p diddy and is set to release her second album whilst keisha‘s future is unknown. harsh. a good example of why leona lewis has been whisked off to the us.

 

 

 

 

 

 

 

 

 

 

 

nate james – universal

actually received some promotion around his debut in 2005, and it did ok. i’m going to be lazy and say he’s a hybrid of stevie wonder and lenny kravitz and worthy of your attention. hopefully an association with next big thing, sway, will catapult him back into the limelight.

 

 

 

 

 

craig david – seven days with mos def

back in 2000, referring yourself in the third person was even more ridiculous than it is now. the ensuing bo selecta parody may outlive his music in the nation’s consciousness if he doesn’t pull his finger out soon. craig, unfazed, still refers to himself in the third person when appearing on mtv cribs showing us how all his cash has enabled him to construct a state of the art pulling den. no women in sight though, and you can’t swing a jocasi bag round london without hitting someone he’s tried it on with.

 

 

 

 

 

 

 

 

ms dynamite – fall in love again

made a good contract choice and got the promotion other uk artists would kill for. this resulted in numerous awards for her debut album which, although nice enough, sounds dated only five years later. this track, from her largely ignored second album, will hopefully age a bit better.

 

 

 

 

 

 

 

spl2rge – scuse me

like unklejam, appear to be on the verge of big things, promotion notwithstanding. i never hold my breath on these things anymore.

 

 

 

 

 

 

 

taio cruz – i just wanna know

mario soundalike who can’t be accused of trying to create a british identity. which is fair enough. we don’t want to end up like the irish, who have to be irish all the time.