dirty martini

old music for new people

put the lime in the coconut June 19, 2008

before ice cream…there was fruit.

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112 – peaches and cream

brick and lace – my apple

brownstone – grapevine

jeannie reynolds – fruit song

kid creole – don’t take my coconuts

mista – blackberry molasses

mtume – juicy fruit

prince – raspberry beret

sade – cherry pie

smooth – strawberries

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say my name: d to i April 21, 2008

 

 

 

 
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funnily enough, esmeralda never caught on as a baby name. ’emma’ by hot chocolate was released in 1973…there are a LOT of 25-35 year olds called emma. at least two in every class during my school days.

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another bad creation – iesha

blacknuss – dinah

charme – georgy porgy

de la soul – jenifa taught me

hot chocolate – emma 

lloyd – hazel

prince – the ballad of dorothy parker

ryan leslie – irina

william bell – eloise

le gamby – esmeralda

sade – frankie’s first affair

sister sledge – frankie

 

sex and the city: the soundtrack season four November 17, 2007

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there’s been as much hype around the clothes in the upcoming satc movie as the storylines. but then, the fashions from each series have never really gone away. corsages were huge in season 4, filmed in 2001, and they’re making a comeback.

i wanted the dolce and gabbana floral dress carrie almost wore at the fashion show so much…

i like season 4. but i find the resurrection of carrie and aidan’s relationship disturbing. i’m on the fence about miranda and steve. charlotte and trey- no no NO.

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barry manilow – copacabana

billy joel – new york state of mind

cheryl lynn – got to be real

hooverphonic – waves

kirsty maccoll – in these shoes

lenny kravitz – are you gonna go my way

louis armstrong – moon river

maxwell – gotta get to know you

red venom – let’s get it on

sade – by your side

spiderbait – shazam

wang chung – everybody have fun tonight

 

under the sea October 27, 2007

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i love anything that sounds watery. as an aquarian, perhaps this is to be expected. my favourite fairytale was always the little mermaid and this is what i used to say i wanted to be when i grew up.

when i was very young, we had actual aquarium photo style wallpaper in our bathroom and i was so upset when my mum redecorated to some beige early 80s monstrosity but lacked the articulation to tell her so at the time.

i can stare at fishtanks all day and when i play ‘kitty goes fishing’ a dvd for cats, that i bought for my little fluffballs, i often end up mesmerised right along with them.

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air – sexy boy

like swimming with frogs, and no not because they’re french, i  just hear frog noises in there. so less of a sea on this one, more like a pond. with lily pads.

all saints – pure shores

purpose built wateryness as this was on the soundtrack for ‘the beach’. at the time this track was a huge departure for the girls –  a long way from the met bar and maharishi.

carnival of the animals – aquarium

this used to play as we filed into the hall for assembly at infant school. hearing it takes me right back to that huge wooden floor and the sun beaming in through the windows.

fish go deep – the cure and the cause

this act were aptly named as their track sounds like the theme to a deep sea adventure.

grid – flotation

so much better than their later efforts, especially the ghastly ‘swamp thing’. if only water had become a theme instead rednecks…

maxwell – submerge

like the aural equivalent of a jacuzzi. or, sticking your head underwater in the bath, for those on a budget.

prince – diamonds and pearls

no obvious watery theme here but thats what it sounds like to me. i suspect prince was actually going for ‘twinkly’.

sade – no ordinary love

i seem to remember that sade was a mermaid in this video, so it seems that the director agreed with me that it sounds aquatic.

smoke city – underwater love

obviously.

sos band –  weekend girl

something very tide in, tide out, about this one.

ten sharp – you

this sounds so aquatic to me that i once had a dream in which it was the soundtrack to big crashing waves.

 

less is more: real divas don’t oversing October 15, 2007

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the principal objection to r&b, from those who remain unenamoured, is usually the tendency for certain singers to attempt to fit ten notes into a space where one will suffice.

its often viewed as showing off and the results are often hysterical, and i don’t mean funny. whilst a good range and the ability to scale is impressive, it can detract from the meaning of the lyrics. how many times have you sat there and cringed whilst a singer trills their way through an entire album?

vocal gymnastics aren’t big and they’re not clever.  plus – they’re just so 90s,

top 10 offenders/songs

1. christina aguilera – singing anything. i hate her voice. oh look its a little girl with a big voice. lets see what she can make it do…

2. mariah carey – singing ballads. i actually think the whitney criticisms are off – she controls her voice too well to make this list. on occasion, mariah’s lunacy shines through her vocals. bless her.

3. kelly price – on ‘friend of mine’, she actually sounded the death knell for the melisma that had built into a crescendo up until that point in the 90s. too much.

4. beyonce – especially the dangerously in love ballads and most of destiny fulfilled. she was constantly trying to outsing kelly and michelle. and seems to have gone nuts since letoya crashed onto the scene and jennifer stole her thunder.

5. mary j.blige – now i love mary, and god knows if anyone should be histrionic, she’s had a hard time of it. but i like her better when she reins it in.

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aaliyah – the thing i like

too cool to coo. i heard that aaliyah’s laidback style was due to her undivalike tendency to allow the backing track to play centre stage and let her vocals wash over them. so effective.

alicia keys – a woman’s worth

content with showing her all round musical ability with her vocals only one of the instruments at her disposal. which is the mark of a real musician. she remains classier than her contemporaries and will far outlast them.

amerie – crush

maybe the reason amerie isn’t as successful in the US is her apparent refusal to screech and holler. i think she has a nice tone to her voice and knows she doesn’t need to dress it up that much.

angie stone – wish i didn’t miss you

it would be easy for a curvy lady like angie to overcompensate with her impressive range. oh and this is one of the best uses of a classic sample, ever.

beverley knight – queen of starting over

sounding more like aretha as time passes, and one of the only r&b singers who is actually good enough to oversing if the mood requires. i just wish she didn’t feel the need to MOR all her work.

sarah anne webb (d’influence) – there can be

criminally overlooked singer sarah anne webb has since left the group to be replaced by a host of others. and it doesn’t sound like d’influence anymore.

deborah cox – sentimental

ok, now that she’s a gay icon, some of deborah’s vocals are sailing close to the edge. but when she arrived in 1995, she was the queen of understated cool with this 2 step classic.

leona lewis – what you do to me

leona could so easily have alienated last year’s x factor viewers by oversinging but she managed to rein in her musical upbringing and used her range appropriately, rather than unnecessarily.

n’dea davenport (brand new heavies) spend some time

acid jazz was never about excessive vocal gymnastics anyway, but n’dea is a prime example of a powerful voice not trying too hard.

sade – the sweetest taboo

sade just doesn’t look like someone about to holler and whoop. and i can’t think of a single occasion in her lengthy career when she would have needed to stoop to that level.

shola ama – you’re the one i love

honey voiced shola has always been the uk’s understated export and it may have cost her in some ways. which is a sad indictment of the industry.

teedra moses – be my girl

ok so, i have criticised the smokescreen surrounding teedra’s real age lately and been scolded. what i will say is that she’s grown enough to realise that runs are for kids.

 

the house that dad built September 30, 2007

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this is for the original house crew, you know who you are. you clubbed your way through the 90s and every now and then you get the urge to do it all again. but you’re pushing 35 and just haven’t got the energy. all of those lists entitled ‘you know you’re over 25 when…’ are scarily true.

so you frequent bars that play background house music and kid yourself that you’re not getting old…well, here is a mix of chilled out house from back in the day. dadhouse is not a new phenomenon, where did you think the shoom lot got to in the 90s?

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cajmere – underground goodies part iii

petra and co- just let go

kerri chandler – atmospheric beats

francois k – hypnodelic

underground resistance – jupiter jazz

paperclip people – throw

norma jean bell – i like the things you do

wamdue project – higher

glenn underground – feelin’ love

cajmere – wet dream

underground resistance – hi tech jazz

backroom – definition of a track

nu yorican soul – that nervous track

delano smith – metropolis

black science orchestra – new jersey deep

k-hand – street knowledge

green velvet – answering machine

jt company – feel it

red nail – never

floppy sounds – ultrasong

muskmen – never thought i’d see the day

 

yuppie soul…for wannabes and estate agents alike July 13, 2007

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yuppies were everywhere in the late 80s. inspired by wall street and dressed by armani. or more likely, next, in fact i think the blame for the continuing success of next and its unflattering, boxy clothes can be laid squarely at the feet of the yuppie movement.

think del boy falling over in an underground wine bar trying to impress snooty trophy wives while hapless trigger looks on in his blue suit. being the average man on the street, never mind the underdog, was not a celebrated thing in the late 80s. my parents knew someone who aspired to be a yuppie. if he held a barbecue, it was a ‘dinner party’ by virtue of the fact that he would provide a musical backdrop of ‘now thats what i call classical music’. the fact that he worked at asda didn’t hold him back – he assumed the look, the lifestyle and the self delusion.

it’s sad to watch the ex-yuppies now, especially those that were young at the time. they cling desperately to their trench coats and briefcases, and we don’t invite them out for after work drinks. unless we want them to pay.

dodgy, drab fashion and buck teeth aside, the most hilarious part of the yuppie image was the mobile phone. or the brick, as its now commonly known. not dissimilar to lugging around your own portable phone box, and requiring an antenna that would spear anyone within fifty feet.

it’s no surprise that some of the soul artists that broke through at this time were white, and very middle of the road. they were reflective of the audience. the music was criticised as manufactured and lacking in grit, but its a hell of a lot better than most of the crap we’re forced to endure today. ‘pop’ does mean ‘popular’ after all…

smooth wine bar grooves for the upwardly mobile – download here

al jarreau – we’re in this love together

alexander o’neal – hearsay

sade – hang on to your love

mica paris and will downing – where is the love

luther vandross – give me the reason

whitney houston – you give good love 

lisa stansfield – live together

simply red – a new flame

wet wet wet – angel eyes

tracy chapman –  fast car

terence trent d’arby – if you let me stay

michael bolton – soul provider