dirty martini

old music for new people

i love 1982: boogie nights February 7, 2008

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after disco, what was left for the clubs?

in 1982, the musical landscape was split pretty much between the last hangers on of disco, ska heads, fizzling out punk and the mainstream. hiphop was emerging but it would be ten years before the soul boys and girls hooked up with the rappers.

reluctant to let go of disco, but needing a new direction, boogie was born to fill the glitterball shaped void. it was so seamless most people didn’t even realise anything had changed. out went the strings, in came the bass. we also had bouncy blue eyed soul, and baby boy bands.

check out the start of the decade, 1980, and 1981, the last days of disco.

download 1982 here

amuzement park – make up your mind

this band exemplified the boogie soul movement.

barbara lynn – you make me so hot

saucepot barb was already a bit of a veteran by the time this was released. of course these days, a 25 year can be called  a veteran… 

carly simon – why

carly is quite annoying. but everyone loves this and it has been sampled and covered – by a tribe called quest for ‘bonita applebum’, a garage/dancehall cover by glamma kid and shola ama. written by chic, a rare demo by the group apparently does the rounds in ibiza. interesting.

damaris carbaugh – what about my love

sampled more than 20 years later for shapeshifters’ massive ‘lola’s theme’.

jocelyn brown – i wish you would

anyone with even a passing interest in 80s soul should already have ‘somebody else’s guy’. jocelyn and her big voice has gone on to work with incognito and todd terry, amongst others. 

klymaxx – all turned out

these sassy 80s girls ruled the early 80s dancefloors , way before the seminal ‘meeting in the ladies room’.

maze – before i let go

the 70s funk instrumentalists plus frankie beverly had two of the biggest boogie hits – this, and ‘joy and pain’ later covered by donna allen. quite badly.

musical youth – never gonna give you up

the uk’s answer to new edition. well not really, their music was completely different. but the uk wasn’t exactly able to tell the difference in 1982.

patrice rushen – where there is love

patrice dominated boogie (forget me nots, haven’t you heard, remind me) but she also did downtempo. this track was later sampled by smooth aka juanita stokes, who is by now probably 45 but is probably promoting herself as ’21’ if her track record is anything to go by.

prince  -1999

to omit this song from a 1982 list of any kind would be to totally underestimate its impact then, since, and now. no longer a gimmick now that the millenium has passed, it can be enjoyed for what it is. god it make you feel bloody old though.

real to reel – can you treat me like she does

not to be confused with reel 2 reel as in – i like to move it move it – as parodied by big breakfast puppets zig and zag.

skyy – call me

enduring 70s/80s band who peaked during the boogie period. later this track was interpolated by nicole ray on ‘seventeen’.or is it nicole wray? or just plain nicole?

 

i love 1981: the last days of disco January 12, 2008

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legend has it that 1981 saw the very last days of disco, as documented in the 1998 film. of course, there is a huge flaw in this statement as costa-bound brits discoed until the late 80s. it was 1977 in spain until about 1991 everywhere else.

one of the very first bars i went to in the early 90s –  a wine bar, no less – played disco and boogie. at the time i thought it was a quirk of soundtrack similar to amusement parks, where law dictates that all music played must be at least 7 years old. it was actually because i was 15 and i wasn’t supposed to be there.

the music was for the older crowd – the disco crowd. the ones who had probably wished they could dance on illuminated dance floors a la saturday night fever but had to settle for that funny 70s slightly glittery flooring they used in shopping centres. but encrusted with disco dirt and littered with fag ends, at their local ritzy.

the last days of disco may be a pretty accurate account of those days, i don’t know. its quite bleak for a disco movie, i suppose no one quite knew what to expect after the excitement of a new decade died down. its not as depressing however, as the reality of the uk in 1981 which was majorly depressing according those who remember. as a five year old i was oblivous to the riots, strikes and nuclear warnings i have since viewed thanks to ‘i love 1981’.

the disco sucks movement, perpetrated by greasy rednecks in lumberjack shirts, finally won in 1981, and disco became boogie…

download here and visit 1980 here

aurra – nasty disposition

the duo started as aurra at the tail end of disco, and passed through the mid 80s jheri soul movement to become deja by the time new jack swing hit.

bb&q band – starlette

better known for their mid 80s tinkly jheri soul efforts.

class action –  weekend

this was reborn as a house anthem later in the decade and remixed in the 90s by todd terry.

coffee – casanova

ravers baby d made their cover version the follow up to the huge ‘let me be your fantasy’. there was a nice jungle remix.

earth wind and fire – lady sun

not as obvious as ‘let’s groove’…

evelyn champagne king – if you want my love

not as obvious as ‘shame’!

inner life – moment of my life

imagine this on the dancefloor at studio 54.

madagascar – rainbow

perfect late disco classic.

patrice rushen – haven’t you heard

patrice might just be the most sampled artist ever.

rose royce- magic touch

proving she, and disco, still had it in 1981.

sharon redd – can you handle it

the line between disco and boogie was thin, at best.

slave – watching you

slave spawned steve arrington, who summed up the mid 80s with ‘feel so real’.

 

90s brit soul – quality over quantity April 30, 2007

at the turn of the decade, it looked as if uk soul had found an identity. for the most part, artists eschewed the trappings of new jack swing, with its distinctly american, over-produced sound, for a truly local style.


soul ii soul spearheaded this movement, that whilst fiercely british, paid homage to the daisy age, summer of love principles of artists such as de la soul. some stayed true to their soul roots, some moved into dancier territory and others built the foundations of new genres – acid jazz and jungle/drum and bass.


it was looking positive. but as r&b moved into the mainstream in the mid 90s, uk artists gazed enviously at their us counterparts and tried to emulate their success. usually this resulted in a diluted experience that wasn’t street enough for the clubs, yet still too urban for the dinner party set.


these are the ones that survived despite the odds.


ten 90s brit soul survivorsdownload here

shola ama – you’re the one i love – 1996
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signed a deal on her 16th birthday that would lead her to become the UK’s most successful r&b female singer in the late 90s. in good rags-to-riches tradition, she was discovered singing at a tube station and released her first single ‘celebrate’ on an independent label in 1995. amusingly, her wikipedia entry declares an addiction to pork pies as a reason for her downfall. when ‘pork pies’ became a euphemism for ‘cocaine’, i’m not sure…





kele le roc – my love – 1999


kele has perhaps become more well known for guest appearances with artists such as basement jaxx than for her solo career. her debut arrived at a time when every r&b single was subjected to the 2-step remix treatment and the uk garage mix of ‘my love’ is one of the best known examples of the genre and certainly eclipsed this underappreciated ignorants‘ r&b mix at the time.


caron wheeler – i adore you – 1992

a stalwart of the uk black music scene since her days in teenage lovers rock band brown sugar in the mid 70s. in the late 80s caron hooked up with legendary dj jazzie b and the rest is history. her role in soul ii soul laid the foundations for a renewed solo career and her album ‘uk blak‘ was released in 1990 to critical acclaim. ‘i adore you’ is her best known solo track, from the 1992 soundtrack ‘mo’ money‘.


elisha la verne – i may be single – 1996

elisha seemed destined for bigger things when she arrived in 1996. like many other artists, she has found enduring success in japan. i can remember a pa she did at my local club in 1996 that was met with cool indifference by the predominantly house-loving crowd. if she’d arrived a few years later things could have been quite different.


tongue ‘n’ cheek – nobody – 1990

tongue’n’cheek’s initial outings, covers of cheryl lynn and patrice rushen disco-era classics, were met enthusiastically after the foundations for brit soul were laid by soul ii soul. this track, remixed from an 1988 original, had a new jack swing feel to it and was far more interesting. tongue’n’cheek suffered somewhat from being difficult to pigeonhole as either a soul or dance music act.


kenny thomas – thinking about your love – 1991

cheeky chappy kenny thomas charmed his way in to the british record buying public’s hearts with a cover of the gap band’s ‘outstanding’, together with winsome video in which he strolled through an east end market. this track was another cover, but not many people realised at the time. he also covered the force md’s ‘tender love’ as if it was his own soon after, capitalising on the fact that mainstream britain knew fuck all about soul music until quite recently. fair play to him.


celetia – missing your love – 1995

with aaliyah, monica and brandy on the scene, it was decided that the UK needed its own underage r&b starlet. enter brixon girl celetia martin, sort of. her debut album failed to ignite, with the then 14 year old slammed for her raunchy lyrics. sometimes i wonder what these critics were doing when they were 14 – knitting? it wasn’t really that shocking… her second album ‘runaway skies’ saw her adopt a more unique and organic persona and was infinitely more successful. she now lives in LA and is working with big name producers such as soulshock and carlin. impressive.


lynden david hall – do i qualify – 1998

could have been one of the biggest artists in the uk if his life wasn’t cut short last year due to hodgkin’s lymphoma. first album ‘medicine 4 my pain’ was a huge success in 1998, and was the first uk artist voted as best male by blues and soul readers. he went on to star in ‘love actually’ as a wedding singer.








don-e – love makes the world go round – 1992

don-e arrived in 1992 with this sunny track, from his debut ‘unbreakable’. although his career stalled after this brief success, he resurfaces occasionally, and joined forces with deni hines to cover new edition’s ‘delicious’ to great effect in 1995.

beverley knight – flavour of the old school – 1994

the most consistently successful artist on this list and owner of an amazing voice. beverley started out in 1994 with ‘b-funk’, and i prefer this early material to her later more poppy/mainstream offerings as I get a bit annoyed when uk r&b artists feel the need to start including guitars in their work to get any kind of recognition…