dirty martini

old music for new people

high school musical: by john hughes December 9, 2007

pip.jpgferris.jpgbreakfast.jpg 

the name ‘john hughes’ might not mean much to anyone under 30.

but those born in the 60s and 70s know that john hughes ruled 80s teen movies. he used the all conquering brat pack throughout the series and molly ringwald, anthony michael hall, andrew mccarthy, ally sheedy and judd nelson have failed to capture comparable success since.

the characters, ferris bueller apart, emerged from obscurity to challenge and overcome their shallower rivals. the difference between the UK and US became apparent watching these films. cheerleading and after school activity in general was not cool. the outcasts who drank, smoked and hung out in smoky clubs were more easily identifiable.

top 10 conventions of the john hughes high school movie:

  1. unrequited love
  2. blonde bitchy cheerleaders
  3. good looking social outcast
  4. annoying younger brother and sister
  5. rich vs poor
  6. geeks who play cards
  7. main character has saturday job
  8. demon headmaster
  9. deluded parents
  10. implausible hookup

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pretty in pink

omd – if you leave, nik kershaw – wouldn’t it be good

molly ringwald wasn’t the best candidate for a 90% pink wardrobe, being ginger and all. my favourite character was the lounging steff, a vision in white linen as he sauntered around the school. of course he was about 30 at the time so youthful awkwardness may have been an acting lesson too far for james spader. obligatory indie club scene is present and correct, as is gym class bitching between molly and blonde cheerleader with one sided ponytail.

the breakfast club

simple minds – dont you forget about me, karla devito – we are not alone

this movie defined the high school stereotypes throughout all of john hughes’ films – the princess whose parents drink and fights, the jock who only plays football to please his dad, the geek who came close to blowing up the school, the outcast with the attitude who everyone secretly fancies and the outcast with the messy hair who puts on some mascara and – voila!- pulls the captain of the football team.

sixteen candles

spandau ballet – true, wham – young guns

charlie sheen-alike senior dumps blonde cheerleader girlfriend for ginger nobody with no experience. US high school can’t be that tough then. the highlight of this movie is exchange student long duck dong, who in the politically incorrect 80s instantly becomes ‘the weird chinese guy in mike’s room’ since no one can be bothered to pronounce his name.

ferris bueller’s day off

yello – oh yeah, wayne newton – danke schoen

not as popular as ‘no one puts baby in the corner’, but much funnier, ‘no one leaves my cheese out in the wind’ was just one great moment from headmaster ed rooney. how come matthew broderick doesn’t get any older?  why didn’t we see more from the actor who played cameron, than just a cameo in ‘speed’? how did ferris have all that technology in one room?

weird science

oingo boingo – weird science, los lobos – don’t worry baby

this movie led a million adolescent boys to cling to the belief that beyond the rejection of every single girl in their class, was the possibility of a kelly le brock-alike if they could only tap a few passwords into a chunky computer and attach some wires to a couple of potatoes and a lava lamp. hence the IT skills crisis once these delusionals graduated about a decade later.

some kind of wonderful

propaganda – dr mabuse, stephen duffy – she loves me

two outcasts who clearly belong together, but one has loftier ambitions. apparently some viewers were unhappy that ‘pretty in pink’ saw the rich boy get the girl, and this movie was developed to redress the balance. one question – if you know turning up to a party will almost definitely get your arse kicked…why go?

 

80s boys: softly does it October 13, 2007

steff.jpg 

the 80s were a time of smooth sophistication – or at least, that was the aspiration. it wasn’t supposed to look as effortless as the impossibly slick culture we have today where even boho takes hours to perfect. in the 80s, looking as if you had spent time and money on your style was a badge of honour.

everything was designed to flatter this image and music was no exception – the music was polished and the vocals didin’t interrupt the flow. male pop/soul vocalists were often soft and understated, with an overtone of smugness. which is why i’ve chosen a picture of steff, james spader’s character in pretty in pink. the baddie you hate to love.

all of these bands feature cooing vocals, so much of a rarity these days that anything remotely understated evokes the 80s. it wasn’t particularly manly but the new romantics pretty much put paid to any notions that the 80s would be a macho decade.

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breathe – how can i fall

not breathe’s biggest hit, but since they only had one other…close.

howard jones – like to get to know you well

classic synth pop soul which few did better than howard. good use of a mullet too. howard’s sound was slicker than his look. he looked like a tramp with a vidal sassoon haircut and bleach job.

stephen tin tin duffy – icing on the cake

original member of duran duran and has had more success in production than with his own music.

climie fisher – love changes everything

sweet late 80s boy pop that can still be found on heart fm to this day. they had one other notable song, ‘rise to the occasion’.

curiosity killed the cat – down to earth

smash hits favourite ben volauvent parrot and co were minor challengers to bros and wet wet wet in the late 80s. i used to fancy migi.

wet wet wet – sweet little mystery

cheeky scot marti pellow looked so much better with the caught-in-a-dodgem spiky haircut than his later curtain style look when they caught their financial break with ‘love is all around’.

scritti politti – absolute

i love the sound of green’s voice, its like candyfloss. all of scritti  politti’s music sounds the same across albums spanning the entire decade. i like that in a group.

johnny hates jazz – i don’t want to be a hero

oddly sincere sounding group taking into account the jazz were rich pretty boys. proving rich boys don’t need to go indie to compensate for their roots. all of jhj’s music has that late 80s wine bar sound on lock.

omd – if you leave

i don’t care for much of omd’s music but of all the 80s teen movies, this was the most fitting soundtrack to the obligatory high school dance scene. i think we all wanted andie to get with duckie, but its not so bad for him as he’s ended up in two and a half men with charlie sheen…

brother beyond – how many times

god nathan moore really wasn’t any better a singer than he is an agent. and don’t get me wrong, i loved bb way more than bros. no wonder lisa scott-lee’s career haas gone down the pan…oh wait, no, that’s because she’s shit.

blow monkeys – it doesn’t have to be this way

i’m sure i heard carol mcgiffin say that she slept with monkeys frontman dr robert. maybe if you were a bit older – and i mean of an age when you should be fancying people, not 11 like i was – then he was the 80s version of russell brand. who i don’t get either.

hipsway – the honeythief

don’t know much about this group but they typified the smooth sound of the time.