dirty martini

old music for new people

r&b girl bands: voted off the island April 26, 2008

assuming they were famous enough to get on a reality show in the first place. the 00s have not really been a great time for girl bands. in the late 90s it was a crowded market, full of stage school wannabes thrown together with people they hate and a few genuine girl groups looking to capitalise on the spice trend.

who do we have now? sugababes? girls aloud? tch…

download here

3lw – feelin’ you

ok not exactly drifting towards obscurity but in music terms, it’s over. interestingly when they debuted in 2000 they were sounding too mature and now in their 20s, they’re disney. counter-intuitive.

411 – on my knees

brit girl band from a few years back. like danity kane but less porn channel and more smtv. fond of hiphop sampling to communicate street credentials.

aaries – strangers to lovers

have collaborated with sir musiq of soulchild and this alone should have raised more interest. add that to the fact that they’re a fairly talented bunch and make quality soul not ringtone r&b and it’s difficult to see where it went wrong.

anjel – not the way i pictured it

after being dumped by beyonce and kelly (ok, beyonce and mathew..), letoya and latavia hooked up with naty quinones and tiffany beaudoin to form short-lived anjel.

bella  – never be me

yet another ‘big on myspace’ act that didn’t translate. see also ‘jazzy’ and ‘unklejam’.

blaque – i’m good

had a not bad run thanks to their mentor, left eye. blaque actually started out ten years ago nowm as blaque ivory. this track is now a staple of show like ‘so you think you can dance’ and ‘bump’n grind’ on trouble.

gyrlfriend – sprung

produced by the underdogs, but it wasn’t enough. their names is so 90s, as well.

her sanity – xclusive

over-produced and silly name. like a budget version of allure.

isyss – not letting him go

including the sister of actress meagan good, this group were quite good and focused on uptempos, which is always a bonus.

js – someone

think changing faces, not updated a great deal, for the 00s. i might have missed something but i don’t recall the original group being so popular that we needed a sequel.

phajja – checkin’ for me

their two albums were actually ok. a bit like brownstone to me. but they nicked a classic album title, ‘meeting in the ladies room’ and this seemed to seal their fate.

tg4 – two minutes

not very tastefully sang about virginity with needa s…yes that old woman once known as smooth. eww. that family are sleaze. lying about their ages and allegedly corrupting kids.

 

i’m crazy for you, mr dj January 19, 2008

cheesydj1.jpg

the dj has enjoyed a good run of adoration that shows no sign of slowing down. and that is one serious jacket.

clearly, these artists didn’t frequent townie clubs where fat fortysomething djs led the crowd in chants of ‘who ate all the pies?’

see comedy dj ray von from phoenix nights for an example of the wedding reception dj those of us who grew up in the 80s had to contend with. though slowly becoming extinct they can still be found in their natural habitat – a chicago rock cafe.

shit…what is going to happen to pete tong and brandon block in the ‘010s?

download here

artful dodger – rewind

black magic – freedom

cassie – in love with the dj

che’nelle – i fell in love with the dj

destiny’s child – my song

indeep – last night a dj saved my life

jennifer lopez – play

lighter shade of brown – hey dj

rihanna – pon de replay

warren g – this dj

yvette michele – everyday and everynight

zhane – hey mr dj

 

less is more: real divas don’t oversing October 15, 2007

breaking-glass.jpg 

the principal objection to r&b, from those who remain unenamoured, is usually the tendency for certain singers to attempt to fit ten notes into a space where one will suffice.

its often viewed as showing off and the results are often hysterical, and i don’t mean funny. whilst a good range and the ability to scale is impressive, it can detract from the meaning of the lyrics. how many times have you sat there and cringed whilst a singer trills their way through an entire album?

vocal gymnastics aren’t big and they’re not clever.  plus – they’re just so 90s,

top 10 offenders/songs

1. christina aguilera – singing anything. i hate her voice. oh look its a little girl with a big voice. lets see what she can make it do…

2. mariah carey – singing ballads. i actually think the whitney criticisms are off – she controls her voice too well to make this list. on occasion, mariah’s lunacy shines through her vocals. bless her.

3. kelly price – on ‘friend of mine’, she actually sounded the death knell for the melisma that had built into a crescendo up until that point in the 90s. too much.

4. beyonce – especially the dangerously in love ballads and most of destiny fulfilled. she was constantly trying to outsing kelly and michelle. and seems to have gone nuts since letoya crashed onto the scene and jennifer stole her thunder.

5. mary j.blige – now i love mary, and god knows if anyone should be histrionic, she’s had a hard time of it. but i like her better when she reins it in.

download here

aaliyah – the thing i like

too cool to coo. i heard that aaliyah’s laidback style was due to her undivalike tendency to allow the backing track to play centre stage and let her vocals wash over them. so effective.

alicia keys – a woman’s worth

content with showing her all round musical ability with her vocals only one of the instruments at her disposal. which is the mark of a real musician. she remains classier than her contemporaries and will far outlast them.

amerie – crush

maybe the reason amerie isn’t as successful in the US is her apparent refusal to screech and holler. i think she has a nice tone to her voice and knows she doesn’t need to dress it up that much.

angie stone – wish i didn’t miss you

it would be easy for a curvy lady like angie to overcompensate with her impressive range. oh and this is one of the best uses of a classic sample, ever.

beverley knight – queen of starting over

sounding more like aretha as time passes, and one of the only r&b singers who is actually good enough to oversing if the mood requires. i just wish she didn’t feel the need to MOR all her work.

sarah anne webb (d’influence) – there can be

criminally overlooked singer sarah anne webb has since left the group to be replaced by a host of others. and it doesn’t sound like d’influence anymore.

deborah cox – sentimental

ok, now that she’s a gay icon, some of deborah’s vocals are sailing close to the edge. but when she arrived in 1995, she was the queen of understated cool with this 2 step classic.

leona lewis – what you do to me

leona could so easily have alienated last year’s x factor viewers by oversinging but she managed to rein in her musical upbringing and used her range appropriately, rather than unnecessarily.

n’dea davenport (brand new heavies) spend some time

acid jazz was never about excessive vocal gymnastics anyway, but n’dea is a prime example of a powerful voice not trying too hard.

sade – the sweetest taboo

sade just doesn’t look like someone about to holler and whoop. and i can’t think of a single occasion in her lengthy career when she would have needed to stoop to that level.

shola ama – you’re the one i love

honey voiced shola has always been the uk’s understated export and it may have cost her in some ways. which is a sad indictment of the industry.

teedra moses – be my girl

ok so, i have criticised the smokescreen surrounding teedra’s real age lately and been scolded. what i will say is that she’s grown enough to realise that runs are for kids.