dirty martini

old music for new people

just a booty call September 20, 2008

famous one night stands:

emma bunton and justin timberlake…what is it with trouser and older women anyway?

jay-z and mya…ok, mya and most of the men active in the late 90s and early 00s r&b scene.

nicole appleton and leonardo dicaprio…in late 90s celeb fave the met bar, supposedly.

p diddy and sienna miller…these two showboat for attention like heat seeking missiles.

lindsay lohan and one of mcfly…hilarious. acted like someone who had a bad case of beer goggles at office xmas do and flatly denied it by the new year.

download a booty call

basic black – baby can we talk

bell biv devoe – i do need you

big bub – 24/7

bobby brown – lovin’ you down

gina thompson – strung out

hi-five – quality time

karyn white – one heart

kut klose – do me baby

lsg – door #1

mona lisa – crazy

tha truth – if i show you

z’looke – come on baby

 

90s r&b – i collaborate therefore i am August 22, 2007

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there’s power in numbers. in fact, the perfect hook-up with the hottest property can launch (or relaunch) a lacklustre career.

in the mid 90s, duets and artist collaborations became less of an event. naturally, you would collaborate with labelmates, but a strategic feature spot could mean opening up your music to a whole new audience. the most popular hook up was r&b and hiphop, but some puff daddy collabos in the late 90s saw hiphop push the boundaries by mixing it up with rock bands, a trend jay-z has carried into the 00s.

so, for the r&b girls and boys looking forsome instant street, the most ubiquitous featured rappers of the 90s? jay-z, ll cool j and biggie by a mile, although a young foxy brown gave them a run for their money.

and if a hiphop act wanted to smooth things down? total, swv and mary j blige at your service.

the idea hasn’t slowed down at all, in fact, the standard r&b album has at least four collaborations and some albums (timbaland) are built entirely around that principle.

90s hook ups – download here

blackstreet and swv – can’t get you out of my mind

two of the biggest r&b bands of the 90s – worked so well they did it twice.

blaque and destiny’s child – she ain’t got that boom

how much hair can you fit in one room? one more member and they could have been an 80s jheri curl soul act. a subdued performance from beyonce on this one.

busta rhymes and zhane – its a party

not the most obvious hook-up to spring to mind but it worked.

jay-z and foxy brown – sunshine

jay-z and foxy collaborated so often you gave up trying to work out who was guesting for who.

junior mafia and aaliyah – i need you tonight

a mishmash of r&b, hiphop and 80s throwback hook and sample. shouldn’t have worked quite so well.

keith sweat and kut klose – get up on it

inevitable feature spot. on occasion the whole r&b don with cooing girl group could seem a little mysogynistic. there were worse examples though.

ll cool j and boyz ii men – hey lover

ll likes it both ways – guest features and inviting others on to his tunes, I mean.

mase and total – what you want

individually, not great. together it worked.

method man and mary j blige – you’re all i need to get by

one of the originals and a good example of how an r&b feature spot doesn’t need to water down the proceedings.

smooth and 2pac – p.y.t.

proto jay-z and foxy. 2pac must have rated young ms stokes as he didn’t guest spot with just anyone.

 

90s girl bands – all credit to the spice girls. no really… July 26, 2007

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 so, a while back i did a post on the premier r&b girl bands of the 90s, and this is the b list. the ones who now work in telesales, stay at home with their kids or ‘went back to college to study fashion’.

its funny that the spice girls are still credited with opening up the market for girl acts, in a decade widely remembered for the proliferation of drippy irish boy bands. in the same way that nkotb didn’t invent boy bands, the spice girls were far from an influence on ooh, about 50 or so r&b girl groups that came before them. i laughed when i read an early US review that claimed the spice girls sounded ‘a bit like tlc’. yeah and mya sounds a bit like aretha.

so, being the same age as baby spice i was far too old to get caught in the spice trap and managed to navigate the irritation of my then new boyfriend fancying geri halliwell. we’re still together, and he denies everything.

these groups didn’t go on to conquer the world (destiny’s child) and don’t enjoy regular royalty payments by being featured on countless classic r&b compilations (jade, swv). they probably only had one good album each, that wasn’t quite successful enough to guarantee a follow up.

such groups don’t really exist today as it’s not commercially viable to put any money into new acts that will have limited success. at least this lot managed to shift a few units, if not a platinum amount. so, if they think they’re skint now, they should thank their lucky stars they weren’t born ten years later…check out the 90s girl band premier league and the even more unfortunate one-hit wonders. and the no-hit wonders.

90s also-ran girl bands – download here

zhane – sending my love

zhane’s early work was club friendly but little substance…so they did a reverse nelly furtado and wrote some nice material for their second album. also check out ‘crush’.

assorted phlavors – make up your mind

this group, with their typical mid 90s sound, suffered somewhat from arriving on the cusp of timbaland and missy‘s late 90s r&b revolution. along with…

allure – head over heels

…mariah’s girl group, who are still together but have suffered from delays and non-starters with their second and third albums.

braxtons – slow flow

yes, as in, toni‘s sisters. the group thing didn’t last long but tamar has had minimal solo success. did a fairly pointless cover of diana ross’ ‘the boss’.

for real – like i do

identikit 90s r&b group with no distinguishing features. briefly attempted to differentiate themselves with the original version of this track and its accompanying motown-style video.

nuttin nyce – in my nature

nastier than jade and more vocally challenged than swv, their main competition at the time. most of their tunes now sound very dated.

kut klose – surrender

slinky slow jam specialists, in my opinion they did grind’n’b much better than the slightly desparate sounding changing faces.

mokenstef – he’s mine

popular track from another faceless r&b group that doubtless prompted a thousand catfights in the (then very few) r&b clubs across the country.

sista – i wanna be with you

sista‘s album was shelved but has since leaked, and you can hear proto-missy all over it.

good girls – just call me

perennial old skool half-hour favourite, in the hard to find remix version. despite this, the good girls found chart success elusive, perhaps due in part to their odd penchant for acid wash denim, which was seriously passe by 1992.

 

dick in a box April 23, 2007

you’ve all seen the saturday night live sketch where trousersnake parodies early 90s slow jams and, well, himself actually, if his hit rate is to be believed. maybe his moves are more sophisticated now, but I bet preteen justin listened and learned. janet jackson, scarlett johansson, emma bunton, cameron diaz, beyonce, britney, christina, alyssa milano, that dancer..countless others…they all fell for it.

in 1991, color me badd started something. three years after george michael‘s ‘i want your sex’ was banned, songs about sex hit the charts so fast that the regulators just gave up, it seems. la tour‘s ‘people are still having sex’, salt-n-pepa‘s ‘let’s talk about sex’ and the divinyls‘ ‘i touch myself’ were successful but they didn’t respectively alter the output of house, hiphop and rock in the way that ‘i wanna sex you up’ achieved.
until then new jack swing was mostly slickly produced, frenetic workouts requiring the running man dance, which was never going to work as foreplay really, was it? thus, bedroom music was, if not born, kicked into the 90s and made saucier than ever.color me badd never quite replicated the success of their first single, mostly because all of their other songs were shit. they started to overdo the foreplay and lost the sleaze, by appearing in magazines gushing about how they loved to stroke a woman’s hair, buy her roses and chocolates, before getting her into bed.

no woman on earth was gonna fall for that. but we do have them to thank for 90s slow jams and probably a lot of kids now aged about 15 or 16…

ten rude songs with which to woo your 90s lover – download here

 


color me badd – i wanna sex you up
obviously. I prefer the new jack city version not the way too obvious ‘let me take off all your clothes…’. cos that was the one we used to sing in classes run by ageing substitute teachers, leading them to denounce us as ‘devil children’. lol. no, i didn’t go to a convent.

r.kelly – your body’s calling
I was alarmed when my then five year old cousin named r.kelly as his favourite singer. turned out he’d only heard ‘i believe I can fly’ and ‘gotham city’. phew! i was so not gonna be buying him ’12 play’ for christmas.

kut klose – I like
I really like this song. and they do that popular mid 90s girl group ‘ohyeaheehyeahahahyeahyeah‘ bit in the chorus. oh you know what i mean… kut klose were keith sweat‘s girl group and they had some great slow jams on their one and only album.

changing faces keep it right there
nice remix by creepy devante of jodeci. changing faces improved over time from their awful debut ‘stroke you up’ to 2000’s great ‘that other woman’.

jodeci freek’n’you
later jodeci track bumped in every clapped out boy racer in london at some point in 1996. thanks to condition of said cars, it rarely had the desired effect on the ladies, sadly, and they looked a bit er, gay.

aaliyah age ain’t nothin‘ but a number
except it is when you’re 14, from a legal standpoint. try to ignore that fact and enjoy babygirl’s cooing vocals.1-900 – oh
forgotten new jack swing slowie with a nice color me badd style beat. so obscure i couldn’t find a picture of them.

adina howard – freak like me
the sugababes cover used an 80s electro classic and was coolly clever, but dropped the sleaziness of the original like a hot potato. which was half the point.

silk – freak me
another level‘s later cover version sounds impressively copycat given that they’re essex boys. but the original beats out dane bowers and co any day, for those that know.

swv – downtown
if you can’t work this song out you’re not old enough to be reading this. swv, along with mary j blige, inspired many of today’s r&b acts.