dirty martini

old music for new people

2008: the comebacks January 3, 2009

cd

despite declining sales, labels continued to throw money and effort into album promotion instead of finding new and creative ways to make money from music. which is now basically free, let’s face it.

i enjoyed these the most of all the comebacks last year.

download the comebacks of 2008

anthony hamilton – the day we met

consistent and underrated, anthony hamilton’s new album ‘the point of it all’ is a little more punchy, i think, than his previous efforts. it’s worth seeking out his mostly unknown 1996 debut if you like this side of him.

ashanti – you’re gonna miss

ashanti is that girl who has more male friends than female. she gets a lot of hate, but, she delivers some good music. ‘the declaration’ was a solid effort that would have achieved more had it not been for her audience connection issue mentioned previously, and the state of the music industry.

beyonce – single ladies

well, if you thought ‘bday’ was a disappointment…i’m hoping some of the other tunes on ‘i am…sasha fierce’ will grow on me. there’s nothing groundbreaking there though. i did love the fact that she appeared on x factor to sing with alexandra though. who, by the way, i think outsings her on ‘listen’ when she sings solo.

common – sex 4 sugar

common is taking a more commercial route this time round with ‘universal mind control’. that’s ok, it works.

erykah badu – honey

..speaking of which, his formerly crazy former missus has also lightened up a bit. see, it didn’t hurt that much did it? but for a time there it looked as if she had a touch of the lauryn hills.

john legend – can’t be my lover

i tried but failed to get into ‘once again’ but i’m loving the return to form on ‘evolver’. the reggae tracks are totally his comfort zone and the euro-electro tinged tracks even work, much as i am hating this current trend, which should in my opinion have started and ended with britney’s ‘gimme more’.

keyshia cole – where this love could end up

keyshia was hailed as the new mary. to my mind, she has not evolved or developed even slightly past her 2004 debut. this is not to say that ‘just like you’ and ‘a different me’ are bad – they’re as good as ‘the way it is’. if prince were to unleash another few albums that took up where ‘1999’, ‘purple rain’ or ‘sign of the times’ left off then this would be eaten up. but keyshia’s not prince.

mariah carey – i’ll be loving you long time

‘e=mc2’ is nowhere near as good as ‘mimi’ let’s get that out of the way. and ‘touch my body’ is shit. but as r&b albums go it’s head and shoulders above most of the crap we get launched at us these days and everyone is so relieved to see her settled and wearing some clothes for once that this is good enough.

raheem devaughn  – woman

a consistent neo-soul artist who returned in 2008, like clockwork, with ‘love behind the melody’. despite the rubbish neo-soul genre tag, surely grown up soul is where the money’s at these days?

raphael saadiq – sure hope you mean it

like several others, mostly brit, artists, he went the retro route. to great effect and in a far more authentic and endearing way than gimmicky amy winehouse and duffy. raphael has, of course, been doing this since his tony toni tone days. i could have picked almost any of the tracks from ‘way i see it’ as my favourite.

snoop dogg – cool

not much promotion behind ‘ego trippin’ as it goes, which is a shame cos i heart the retro flow of this prince-inspired track and ‘sensual seduction’.

usher – before i met you

i wonder if poor old usher realised just how critical the salivating teen girls and his momager were to his success? not at all, apparently, until ‘here i stand’ bombed and he bricked it. marrying a ropey looking older woman when you have the pick of a population? bratz generation say what?

 

the ex factor October 18, 2008

guess who i’m loving this year?

so far this series is shaping up much better than the last. of course the judges have made mistake in their choices. especially simon, who needs a new sidekick to replace sinitta, a woman who not only wants us to believe that she’s been 39 for the last ten years, but who also allowed mali-michael to slip away in favour of a fucking bluecoat.

let me preface what i’m about to say by admitting that i have never had any time for cheryl cole and think she’s the weakest singer in girls aloud. BUT she is the only judge who got her top 3 spot on. louis needs to give up on the 90s, simon needs to stop trying to hoist demonic kids on the general public and dannii…needs to learn about the music industry. and then she might not only become a better judge but also find out why her career was such a damp squib that she was still doing guest spots more than ten years after arriving on the scene.

let’s hope the rumours that sharon will return to replace spoon face are true.

as is tradition, these are the songs they should sing, but won’t cos…they just won’t.

download here

alexandra

toni braxton – love shoulda brought you home

obviously the best singer but not sure she can win unless the sob stories are ejected early. i can see her coming a cropper against some talentless waste of space, a la maria lawson.

austin

prince – raspberry beret

looks like he was brought up on crisps. he’ll need to overcome the slightly mangy air he has about him if he doesn’t want to repel the snootier class of x factor voter with his caravantastic style.

bad lashes

sugababes – overload

bit too desperate, not at all surprising to me that they received the boot in the first week. when will girls who try too hard to be alternative realise that this completely misses the point they were trying to make…

daniel

simply red – you’ve got it

they took it a bit too far with the sympathy vote this year…when it comes to picking finalists you have to put emotion aside. that said, his ricky gervais inspired performance last week was supremely entertaining, for all the wrong reasons.

diana

tasmin archer – sleeping satellite

the music diana would make would be a million miles from the type of thing i would ever listen to, but i just about get why shes in the finals. she reminds me a bit, unfortunately, of the girl who claimed to invent indie music, said something racist and got slung out of big brother last year.

eoghan

stevie wonder – sir duke (because he couldn’t and then he’d get the boot – yay!)

x factor law dictates that there is always a token irish contestant who’s shit but provides louis with a valuable opportunity to remind everyone why they don’t take his decisions at all seriously, at each once a series. remember those hideous conway sisters? this one looks like a cross between jamie oliver and a vole.

girlband

don’t care…oh they should just go all out to escape the boot by singing a girls aloud song – chemistry

won’t win unless hell freezes over. how this lot got through i have no idea…girls aloud’s success is completely owed to stylists and producers. not louis walsh. this lot might as well rename themselves ‘girls are loud’ and start impersonating them at student unions.

jls

new edition – mr telephone man

love them. there are so many reasons why they should win and i hope they do. whether they’ll strike the right note with the sat-at-home chavs who vote thirty times a night is another matter. there are so many potential songs for them…I’d like to see them take it back to the 80s at some point.

laura

keyshia cole –  i just want it to be over

has a funny mouth. whether or not this will endear her to voters or put them off their chicken korma remains to be seen. is undeniably talented but it’s so obvious with some of these really young contestants that they’ve grown up imitating certain singers and you start to wonder whether’s it’s really ‘them’.

rachel

chaka khan – i know you, i live you

you know how it is when you have a boss who is shit at their job and you not so secretly believe that you know better? that was all over rachel’s face last week. dannii made herself and robyn, who could but wish to be able to sing like rachel, look like muppets.

ruth

jennifer lopez – if you had my love

not a very spanish name, ruth, is it? that girl has the biggest hair i’ve ever seen too. i bet she needs a lot of product to keep it under control. i think my hair might be spanish. she’s going to run out of recognisable latin songs to sing…but she might as well put jennifer lopez’s vocal skills in perspective while she’s at it.

the bluecoat

take that – pray

i couldn’t give a shit what his name is. he’s not even a redcoat, for fuck’s sake. at least butlins had those cool indoor swimming things with the flumes, back in the day. anyway, anyone who can’t even stand up to a mentor who makes them sing a 23 year old song by matt bianco has got no chance. what on earth was simon thinking? does he not even want to win anymore?

 

‘…sounds a bit like prince…’ January 4, 2008

snoopss3.jpg

 as a new artist, or even as an established artist, one of the greatest endorsements is to be labelled as sounding ‘a bit like prince’.

the saving grace of lazy journalists everwhere, these few words can rescue a flopping album, even if they are only bestowed upon one or two tracks. now that prince himself is more rock-fixated, the promise of just one or two scraps reminiscent of his 80s prime can be sufficient to spark interest amongst the musical cognoscenti.

to a lesser extent, this peculiar brand of retro copycat hype has previously been applied to artists lauded as the new ‘stevie wonder’ or ‘madonna’. there isn’t going to be a new prince, and it turned out out that those artists were similarly irreplaceable. the excitable, yet totally unreal, music journalism of the the late 90s has given way to a more considered approach.

we don’t need a new prince – clearly the man has produced gargantuan amounts of music and yet more could be unleashed at any point (please). the accessibility of retro music means that we don’t need rafts of exciting new artists – gone are the days when you had to pay a premium to get hold of music that was no longer in the charts.

we just need a few new songs every now and then. and they should sound as much like ‘when doves cry’ as possible.

download here

alicia keys – like you’ll never see me again

debuted with an album containing a prince cover – a b side no less, to show her fan credentials.  on this track, not only the production, but the vocal style and lyrics ooze purple. a lesser artist could be accused of bandwagon hopping but alicia has already proved herself.

chris brown – take you down

chris brown, however, has clearly been advised that the tumble tots r&b will only take him so far and is trialling a new, more adult musical direction – prince. job one should have been to work on that childish feature in his voice that makes him sound like he’s not old enough to form singular vowels – evidence: ‘you make me say yeeeeeoooooaaaaaawwwwww’. shit, my cat forms better vowels than that.

the dream – fast car

i like what i’ve heard from the dream so far, which isn’t a lot. but this and album track ‘nikki’ do reek of ‘obligatory prince-esque production’ to hook gullible and lazy journalists and perk up enthusiastic but clueless PR. basically this is ‘little red corvette’ not-so-updated for the 00s.

erykah badu – honey

an interesting detour for ms badu. i love her music but neo-soul artists can often fall into the dull and worthy trap, making their albums unlistenable by the time they get to their fourth outing.

justin timberlake and beyonce – until the end of time

the influence is slightly more subtle here, but those ‘when doves cry’ instruments are there, just slower, and the overall vibe is classic prince slow jam.

kevin michael – liquid lava love

like robin thicke with a curly afro and arguably more soul. expect big things from this one.

ne-yo – sex with my ex

ne-yo got a lot of stick for allegedly being gay. then when he fathered a child, he got a lot of stick for being ugly. now he’s getting a lot of stick for churning out a raft of soundalike tracks for the artsts he produces for. with all this abuse perhaps he’ll soon have more in common with craaaaaaig david.

p diddy and keyshia cole – last night

an absolute, straight in your face ‘erotic city’ ripoff so blatant that you can’t really argue. as ever, diddy’s montone adds little to the proceedings.

ryan leslie – i-r-i-n-a

ryan leslie’s productions have more than a whiff of purple about them but his own album was fairly narrative and self-celebratory which isn’t prince’s style. prince’s lyrics are cute and playful and focus on the subject rather than the protagonist and so i’m talking production similarities here – there’s no parallel in terms of subject matter, although this is the closet r-les gets to purple greatness.

snoop – sensual seduction

the video and lyrics are classic prince, but the production?  not like anything i’ve heard from prince, but perhaps i’m missing something. the synths are straight out of early 90s chillout, i’m pretty sure they’re too floaty and random for the machine funk of the 80s. nice combo though, me likey.

sterling simms – nasty girl

sterling jumps right back to late 70s prince while everyone else tries to recreate the 80s.

van hunt – hot stage lights

i only just listened to van hunt after hearing his name for years. and now i have a new musical crush. the only good thing about discovering artists late is that there is usually plenty of material to whet your appetite.