dirty martini

old music for new people

just a booty call September 20, 2008

famous one night stands:

emma bunton and justin timberlake…what is it with trouser and older women anyway?

jay-z and mya…ok, mya and most of the men active in the late 90s and early 00s r&b scene.

nicole appleton and leonardo dicaprio…in late 90s celeb fave the met bar, supposedly.

p diddy and sienna miller…these two showboat for attention like heat seeking missiles.

lindsay lohan and one of mcfly…hilarious. acted like someone who had a bad case of beer goggles at office xmas do and flatly denied it by the new year.

download a booty call

basic black – baby can we talk

bell biv devoe – i do need you

big bub – 24/7

bobby brown – lovin’ you down

gina thompson – strung out

hi-five – quality time

karyn white – one heart

kut klose – do me baby

lsg – door #1

mona lisa – crazy

tha truth – if i show you

z’looke – come on baby

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90s r&b – i collaborate therefore i am August 22, 2007

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there’s power in numbers. in fact, the perfect hook-up with the hottest property can launch (or relaunch) a lacklustre career.

in the mid 90s, duets and artist collaborations became less of an event. naturally, you would collaborate with labelmates, but a strategic feature spot could mean opening up your music to a whole new audience. the most popular hook up was r&b and hiphop, but some puff daddy collabos in the late 90s saw hiphop push the boundaries by mixing it up with rock bands, a trend jay-z has carried into the 00s.

so, for the r&b girls and boys looking forsome instant street, the most ubiquitous featured rappers of the 90s? jay-z, ll cool j and biggie by a mile, although a young foxy brown gave them a run for their money.

and if a hiphop act wanted to smooth things down? total, swv and mary j blige at your service.

the idea hasn’t slowed down at all, in fact, the standard r&b album has at least four collaborations and some albums (timbaland) are built entirely around that principle.

90s hook ups – download here

blackstreet and swv – can’t get you out of my mind

two of the biggest r&b bands of the 90s – worked so well they did it twice.

blaque and destiny’s child – she ain’t got that boom

how much hair can you fit in one room? one more member and they could have been an 80s jheri curl soul act. a subdued performance from beyonce on this one.

busta rhymes and zhane – its a party

not the most obvious hook-up to spring to mind but it worked.

jay-z and foxy brown – sunshine

jay-z and foxy collaborated so often you gave up trying to work out who was guesting for who.

junior mafia and aaliyah – i need you tonight

a mishmash of r&b, hiphop and 80s throwback hook and sample. shouldn’t have worked quite so well.

keith sweat and kut klose – get up on it

inevitable feature spot. on occasion the whole r&b don with cooing girl group could seem a little mysogynistic. there were worse examples though.

ll cool j and boyz ii men – hey lover

ll likes it both ways – guest features and inviting others on to his tunes, I mean.

mase and total – what you want

individually, not great. together it worked.

method man and mary j blige – you’re all i need to get by

one of the originals and a good example of how an r&b feature spot doesn’t need to water down the proceedings.

smooth and 2pac – p.y.t.

proto jay-z and foxy. 2pac must have rated young ms stokes as he didn’t guest spot with just anyone.

 

boys don’t cry – new edition go solo April 25, 2007

if there was ever a gender stereotype that was true, its that girls can’t get along. so when female band mates part ways, the media holds their breath for the name calling, backbiting and never has to wait for too long. a lot of women would rather eat nothing but salad for the rest of their lives than see a former female friend do their thing.witness beyonce and kelly‘s unceremonious dumping of destiny’s child cohorts letoya, latavia and farrah at the first sign they wouldn’t toe the line. and now, not content with daddy hampering kelly and michelle‘s solo ambitions since the dc3 finale, beyonce is now rumoured to be sabotaging newly famous solo star letoya‘s efforts. recently she allegedly demanded letoya be removed from a soundtrack project before she would participate and made herself look like a petulant child when she flew into london for last year’s mobo awards only to boycott it when the organisers refused to strike letoya from the lineup.

boy bands just never seem to have all these problems. seemingly, they’re happy just to be there having a laugh with their friends. and if one leaves, they wish them well and even make guest appearances on their new solo material. which may well be the clue to why every member of new edition found solo fame – karma.

ten reasons i can’t decide if i prefer new edition together, or apartdownload herebobby brownevery little step, don’t be cruel, roni, rock witcha
bobby wasn’t always the village idiot. before reality tv uncovered the madness that led him to yell at plastic fruit, bobby was the most successful of all the former new edition boys. although the erratic behaviour that led to his eviction from the group would resurface in later years, he pretty much held it together from 1988 to 1994. in 1988, at the age of 19 he hit pay dirt with ‘my perogative‘ and never looked back.

bell biv devoe – poison, do me, in the crib
hot on the heels of new edition’s ‘heart break’ tour, ronnie devoe, michael bivins and ricky bell formed bell biv devoe and has instant success with new jack swing classics ‘poison’ and ‘do me’. in 2002 they returned with a new album, and ‘in my crib’. all are still active as part of new edition and ronnie devoe is married to shamari fears of blaque, who is probably not old enough to remember the boys in their early days…

johnny gill – rub you the right way, there you go
unlike the others, johnny had been successful prior to joining the group, with three albums already under his belt. after, he had one of the biggest hits of the new jack era, ‘rub you the right way’ and went on to record five more albums and joined forces with gerald levert and keith sweat to form lsg in the late 90s. ‘there you go’ was one of the highlights of the popular 1992 soundtrack to the eddie murphy film ‘boomerang’.

ralph tresvant – sensitivity
wacko soundalike ralph was slightly more cautious about striking out on his own. ‘sensitivity’ is his biggest hit although his collab with bobby brown on ‘stone cold gentleman’ comes close. like johnny, he is still part of new edition but has had consistent solo success and is still recording today.

 

dick in a box April 23, 2007

you’ve all seen the saturday night live sketch where trousersnake parodies early 90s slow jams and, well, himself actually, if his hit rate is to be believed. maybe his moves are more sophisticated now, but I bet preteen justin listened and learned. janet jackson, scarlett johansson, emma bunton, cameron diaz, beyonce, britney, christina, alyssa milano, that dancer..countless others…they all fell for it.

in 1991, color me badd started something. three years after george michael‘s ‘i want your sex’ was banned, songs about sex hit the charts so fast that the regulators just gave up, it seems. la tour‘s ‘people are still having sex’, salt-n-pepa‘s ‘let’s talk about sex’ and the divinyls‘ ‘i touch myself’ were successful but they didn’t respectively alter the output of house, hiphop and rock in the way that ‘i wanna sex you up’ achieved.
until then new jack swing was mostly slickly produced, frenetic workouts requiring the running man dance, which was never going to work as foreplay really, was it? thus, bedroom music was, if not born, kicked into the 90s and made saucier than ever.color me badd never quite replicated the success of their first single, mostly because all of their other songs were shit. they started to overdo the foreplay and lost the sleaze, by appearing in magazines gushing about how they loved to stroke a woman’s hair, buy her roses and chocolates, before getting her into bed.

no woman on earth was gonna fall for that. but we do have them to thank for 90s slow jams and probably a lot of kids now aged about 15 or 16…

ten rude songs with which to woo your 90s lover – download here

 


color me badd – i wanna sex you up
obviously. I prefer the new jack city version not the way too obvious ‘let me take off all your clothes…’. cos that was the one we used to sing in classes run by ageing substitute teachers, leading them to denounce us as ‘devil children’. lol. no, i didn’t go to a convent.

r.kelly – your body’s calling
I was alarmed when my then five year old cousin named r.kelly as his favourite singer. turned out he’d only heard ‘i believe I can fly’ and ‘gotham city’. phew! i was so not gonna be buying him ’12 play’ for christmas.

kut klose – I like
I really like this song. and they do that popular mid 90s girl group ‘ohyeaheehyeahahahyeahyeah‘ bit in the chorus. oh you know what i mean… kut klose were keith sweat‘s girl group and they had some great slow jams on their one and only album.

changing faces keep it right there
nice remix by creepy devante of jodeci. changing faces improved over time from their awful debut ‘stroke you up’ to 2000’s great ‘that other woman’.

jodeci freek’n’you
later jodeci track bumped in every clapped out boy racer in london at some point in 1996. thanks to condition of said cars, it rarely had the desired effect on the ladies, sadly, and they looked a bit er, gay.

aaliyah age ain’t nothin‘ but a number
except it is when you’re 14, from a legal standpoint. try to ignore that fact and enjoy babygirl’s cooing vocals.1-900 – oh
forgotten new jack swing slowie with a nice color me badd style beat. so obscure i couldn’t find a picture of them.

adina howard – freak like me
the sugababes cover used an 80s electro classic and was coolly clever, but dropped the sleaziness of the original like a hot potato. which was half the point.

silk – freak me
another level‘s later cover version sounds impressively copycat given that they’re essex boys. but the original beats out dane bowers and co any day, for those that know.

swv – downtown
if you can’t work this song out you’re not old enough to be reading this. swv, along with mary j blige, inspired many of today’s r&b acts.