dirty martini

old music for new people

show me the money April 18, 2008

this post is self explanatory but i’ll say one thing. those gold diggers are not feeling the credit crunch in the same way as the rest of us. i’m not saying it’s right…

top 5 gold diggers

1. heather mills

didn’t fab-macca-thumbs-aloft blaze a hot publicity trail during the divorce trial? two weeks of beatle songs on american idol, brit appearance…now a liverpool concert.

2. kevin federline

even k-fed was well out of that family, who made even shar jackson look classy by comparison.

3. tameka foster

can you say ‘marriage of convenience’? never been more convinced that usher is gay. this week chilli revealed she still loves him…hmmm…

4. most WAGs

no news there then.

5. meg matthews

surely even monobrow could have done better at the height of oasis’ fame?

 download here

amerie – money maker

big bub – material girl

blu cantrell – hit em up style

cashflow – spending money

destiny’s child – bills bills bills

gwen guthrie – ain’t nothin’ goin’ on but the rent

janice christie – my love is money

junior mafia – get money

kanye west – gold digger

ol’ dirty bastard and kelis – got your money

shades – tell me

tlc- no scrubs

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90s r&b – i collaborate therefore i am August 22, 2007

citrus1.jpg

there’s power in numbers. in fact, the perfect hook-up with the hottest property can launch (or relaunch) a lacklustre career.

in the mid 90s, duets and artist collaborations became less of an event. naturally, you would collaborate with labelmates, but a strategic feature spot could mean opening up your music to a whole new audience. the most popular hook up was r&b and hiphop, but some puff daddy collabos in the late 90s saw hiphop push the boundaries by mixing it up with rock bands, a trend jay-z has carried into the 00s.

so, for the r&b girls and boys looking forsome instant street, the most ubiquitous featured rappers of the 90s? jay-z, ll cool j and biggie by a mile, although a young foxy brown gave them a run for their money.

and if a hiphop act wanted to smooth things down? total, swv and mary j blige at your service.

the idea hasn’t slowed down at all, in fact, the standard r&b album has at least four collaborations and some albums (timbaland) are built entirely around that principle.

90s hook ups – download here

blackstreet and swv – can’t get you out of my mind

two of the biggest r&b bands of the 90s – worked so well they did it twice.

blaque and destiny’s child – she ain’t got that boom

how much hair can you fit in one room? one more member and they could have been an 80s jheri curl soul act. a subdued performance from beyonce on this one.

busta rhymes and zhane – its a party

not the most obvious hook-up to spring to mind but it worked.

jay-z and foxy brown – sunshine

jay-z and foxy collaborated so often you gave up trying to work out who was guesting for who.

junior mafia and aaliyah – i need you tonight

a mishmash of r&b, hiphop and 80s throwback hook and sample. shouldn’t have worked quite so well.

keith sweat and kut klose – get up on it

inevitable feature spot. on occasion the whole r&b don with cooing girl group could seem a little mysogynistic. there were worse examples though.

ll cool j and boyz ii men – hey lover

ll likes it both ways – guest features and inviting others on to his tunes, I mean.

mase and total – what you want

individually, not great. together it worked.

method man and mary j blige – you’re all i need to get by

one of the originals and a good example of how an r&b feature spot doesn’t need to water down the proceedings.

smooth and 2pac – p.y.t.

proto jay-z and foxy. 2pac must have rated young ms stokes as he didn’t guest spot with just anyone.