dirty martini

old music for new people

madonna should have retired in the 80s July 23, 2008

i’m updating this post as the download link expired.

i’m not even going to pretend or aspire to a real appreciation of anything that madonna did after 1989.

at the start of her career, madonna represented a backlash against society. it was punk for people who didn’t like punk music. madonna swore, acted stupid and girly, married a bad boy and wore what the hell she liked.

for me, things started to go downhill when she tried to morph into marilyn monroe for her true blue album in 1986. by the end of the decade she was making good music but the controversy she incited was planned, not accidental. the religion baiting ‘like a prayer’ was pepsi endorsed , ‘justify my love’ had a full length video by jean baptiste-mondino. there was none of the grit left of a girl who worked in dunkin’ donuts to support herself while she recorded a demo.

we loved the electric, synthesised beats, raw vocals and a unique style. we don’t need to see madonna in jean paul gaultier or d&g, anyone with money can wear those labels. messy dirty blonde hair, stretch lace, ripped tshirts and leggings – all of these were her signature style but after desperately seeking susan she seemed to distance herself from the very image that made her.

if madonna had retired almost twenty years ago in 1989, and lets face it she could afford to have done, would her legacy be greater? the erotica phase was an embarrassment, the little girls who had idolised her were rapidly growing into young adults and didn’t need to see their childhood inspiration acting like a depraved teenager. the whole kabbalah thing is a joke, and the marriage to guy ritche makes her seem more likeable, which was never the point of madonna.

the only songs i have really liked from madonna post-dick tracy have been ‘deeper and deeper’, ‘take a bow’ and ‘don’t tell me’. but i could have lived without them. and then – i contradicted myself by listing ten songs by madonna post-gambler that i don’t hate

download madonna originals here

get up

very early 80s pop, almost post-disco soul with a blondie inspired copycat rap at the end. possibly penned as an ode to her time in new york pre-fame. its a long way from this to abba-sampling on ‘hung up’. now that was something i never expected…

crimes of passion

could have fitted easily into ‘like a virgin’ but wasn’t really dancey enough for her debut i suppose. if this had been leaked in 1985 we’d have been in raptures.

don’t you know

this song, recorded in 1981 along with ‘stay’ amongst others, was eventually incorporated into the version of ‘stay’ on the ‘like a virgin’ album. i like this demo, it’s bouncier and has nice zaps and bleeps.

ain’t no big deal

recorded to be madonna’s first single, but left off the album entirely due to a dispute with ex-boyfriend stephen bray, but later rerecorded and used as a b-side.

lucky star – original 12″ mix

posted in its full glory as you can’t have too much ‘lucky star’. one of my favourites and deceptively child friendly which is probably why my parents let me buy it. i wasn’t allowed to dress like she did in the video though. 


we didn’t hear this until the ‘you can dance’ remix album in 1987, but it was recorded for the ‘true blue’ album. of course these days it would leak along with the album. makes you wonder what else exists. back then we literally only heard what artists wanted us to.

burning up – original uk version

when i bought ‘the first album’ on cd i was confused. i thought i remembered ‘burning up’ being better, and dancier, than this. it seems in the US and rest of the world, they used a guitar driven mix that I’d never heard. on the UK tape version, we had what was apparently used on only early vinyl copies. its so much better. but the demo version, which i recently discovered, is nice and sparkly, rather than grungey, as well.

physical attraction

i love the bleepy almost aquatic sound to this track. or maybe its because i got back from swimming on the day i was bought ‘the first album’ as an early birthday present and that’s just the association i’m making…this is the full album version cos i love the spoken bit in the middle. i was too young to understand or appreciate the sentiment.

borderline – first album version

again, the version those of us in the UK will be most familiar with as it was on our version of ‘the first album’. i really love this song, more so now.

gambler – dance remix

many people seem to forget about this track as unless you were going to buy the ‘vision quest’ soundtrack, and let’s face it no one was, you could only get this on vinyl. but it’s madonna at her best, the exact reason why we loved her and parents didn’t. at the point this was released, madonna could have sneezed and gone top 10.

crazy for you – soundtrack version

the perennial end-of-the-disco favourite. this song, along with ‘into the groove’ and ‘holiday’ was in the top 10 for most of the summer in 1985 and i played them incessantly. i was in my first year at junior school and madonna was like nothing else we’d seen before. this version goes on a bit longer than the single version i had, i think that’s the only difference

into the groove – original version

it took a while for me to realise that the version on the ‘immaculate collection’ is not the original. its obviously different, and utter crap, but we weren’t so finely tuned to recognise remixes back then. anyway, once i realised, i got rid, and replaced it with this far superior original. shep pettibone should be ashamed of himself.

dress you up – formal mix

this is a very 80s 12″ – ie. a bit longer, some extra beats, a few sound effects. its appeal has been tarnished somewhat by featuring in a gap ad but don’t let that put you off.

angel – 12″ mix

another very 80s 12″, but this one provides some much needed oomph, much as i loved the original.


i love 1987: love don’t cost a thing June 26, 2008

i love the john hughes movies, all of which gave my pre-teen self a fascinating window into the lives of the older girls and boys. of course, not only did things change by the time i reached a similar age in the mid 90s, but these were american, not british experiences.

can’t buy me love, starring patrick dempsey aka dr mcdreamy and long lost actress amanda peterson, wasn’t a john hughes creation, but it was perhaps the best of the genre. if the stereotypes the other films had drilled home were true, ronald miller was too cute to be considered a real geek and cindy mancini was too nice to be a real cheerleader but it just worked. they were believable as a couple.

the whole movie is exactly as i remember 1987 or at least, what i aspired to. a pastel coloured bedroom, curly hair, the cheerleader/high school prom experience. its almost as though i didn’t see the sulky uk teenagers smoking fags outside circle k and realise that was what was really in store for most of us.

i know the rumours about a pretty in pink sequel have been doing the rounds for years, but patrick dempsey has said this is the only sequel he would consider. amanda must need the cash by now surely?

download here

alexander o’neal and cherrelle – never knew love like this

donna allen – serious

exotic – i’ve got to be your lover

five star – made out of love

georgio – sex appeal

jellybean and elisa fiorillo – who found who

jets – curiosity

karyn white – facts of love

lisa o – so delicious

michael jackson – the way you make me feel

narada michael walden – divine emotions

starpoint – object of my desire

i love 1986

i love 1985

i love 1984

i love 1983

i love 1982

i love 1981

i love 1980


prince’s protegees – sharing the magic May 7, 2007

its a common misconception that all of prince‘s protegees were:

  1. short – and i do mean short, as in shorter than prince, who is a certified dwarf
  2. female – prince had so many associates, it wasn’t really necessary for him to be able to sleep with all of them…

we need to make a distinction here. prince wrote and produced for many artists but these are those whose success he can legitimately claim as partly his own.

its difficult to say whether or not they could have been successful without him, most were launched as ‘prince‘s latest project’. but their music is so much an extension of his own that it’s literally like discovering a whole new prince back catalogue. as is the man wasn’t prolific enough already…

also check out some rare prince, some even rarer prince and some dubious attempts to jack his style

ten artists who pretty much owe prince their careerdownload here

vanity 6 – undress me – 1982
originally named ‘the hookers’, the group wisely vetoed prince’s idea that they should perform in lingerie and heels. fronted by his then-girlfriend denise matthews, their biggest hit was ‘nasty girl’ in 1982.

apollonia 6 – blue limousine – 1984

after rows with prince led to lead vanity 6 member denise matthews fleeing paisley park, patricia kotero stepped in and the project became apollonia 6. they only released one album, and still didn’t wear much.

jill jones – violet blue – 1987

former back up singer to teena marie, she was recruited to provide backup vocals for the 1999 album. her debut album in 1987, written and produced by the man himself, received rave reviews and now sells on ebay for several hundred dollars.

mazarati – strawberry lover – 1984

originally given one of prince‘s biggest hits ‘kiss ‘to record, as soon as he heard it he kept it for himself. if only he’d done the same with tom jones. they managed to make off with an album’s worth though and had brief success in the mid 80s.

sheena easton – sugar walls – 1984

reality tv isn’t actually a new phenomenon, especially search for a star type programming. in 1980, sheena, then 21, was followed in her attempts to gain a record contract. after landing one, she soon decamped to the US and after some dodgy country music attempts, regained her senses and hooked up with prince in 1984. this track was banned by some stations – an interesting development for sheena but something prince had become a veteran of by this point.

wendy and lisa – satisfaction – 1989

originally part of ‘the revolution’ one of prince‘s earlier backing bands. they doubtless learnt a lot form touring and working with prince but in fact, achieved their success alone. the girls felt underappreciated and rebelled, leading to prince firing them in 1986, interrupting and delaying work that would become the ‘sign of the times’ album. they parlayed their industry expertise and talent into several successful albums, most notably ‘fruit at the bottom’ in 1989.

taja sevelle – love is contagious – 1987

taja joined paisley park in 1987 at the age of 25, and became instantly successful with this track, a worldwide hit. despite going on to sell many albums, she promptly disappeared, re-emerging a decade later with a radically different sound and image, now favouring indie twanging and tori amos style wild and unkempt image. hmmvery alternative (yawn)…

morris day and time – 777-9311 – 1984

a former classmate of prince and the remainders of the group flyte time who had a decent amount of success and exposure throughout the 80s. morris, who went solo in 1984, almost stole the show in under the cherry moon. this exaggerated persona was evident throughout his musical catalogue. like prince, he tried and failed to manage his own girl band, the day z’s. tlc paid homage when they covered the morris day and time track ‘get it up’ for 1993’s poetic justice soundtrack.

sheila e – a love bizarre – 1985
multi-talented instrumentalist sheila escovedo first collaborated with jazz bassist alphonso johnson in 1976 when she was just 18. soon after she met prince and he took her under his wing. she had several hit albums and appeared in the 1985 movie krush groove with ll cool j and blair underwood. lucky girl. she also appeared on the beyonce track ‘work it out’. and had to dodge lots of flying weave.

elisa fiorillo – on the way up – 1990

i didn’t know much about this girl except that she sang with jellybean and dated jordan knight of nkotb at some point. grr. apparently, she won star search at age 14 in 1983 and is mostly a back up singer.