dirty martini

old music for new people

fire up the quattro April 12, 2008

 

i didn’t watch ‘life on mars’. it was set in 1973 and well, i wasn’t born then and i’d heard, after the first few episodes, that the nostalgia played a big part in the experience. (I’ve since watched it and LOVE it, and john simm is amazing).

so when i heard about ‘ashes to ashes’ the 80s sequel, i decided that i would watch this time. now it’s set in 1981, and my memories of that year are mostly confined to button moon and hazy royal wedding memories, but it’s interesting to see how people actually lived like that in my lifetime.

the scenes in the new romantic hangout, the blitz club were an eyeopener. i thought the 90s club scene was so different that bar studio 54, clubland had previously been about carpeted walls, disco lights and mirrors. no edge, nothing extraordinary,no innovation. i was SO wrong. the music makes more sense now – i used to wonder how people ever danced to new wave but i get it now. 1981 looks bleak, but it was also real, and probably felt like being on a rollercoaster. I think the blitz eventually became the gardening club, in covent garden.

i would have liked to hear these tracks from 1981 in the show. plus the roxy music track which was the outro to episode one – it took me until last week to figure out what it was.

so what for the next series? can’t believe we have to wait till 2009…

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abc – poison arrow

chaka khan – i know you, i live you

grace jones – pull up to the bumper

haircut 100 – love plus one

hall and oates – rich girl

human league – don’t you want me

kraftwerk – the model

level 42 – love games

police – every little thing she does is magic

odyssey – inside out

roxy music – same old scene

scritti politti – sweetest girl

 

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x factor 2007:back to the day job December 1, 2007

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 now, i love the x factor but this year it’s going downhill. finding someone as talented as leona lewis was always going to be a problem but something is seriously wrong here. i can barely watch what’s going to happen.

simon is staking his claim on an unlikely spice girls reunion induced girlband fever and the high school musical cashcow rather than credibility this year. louis is doing that odd rocking backwards and forwards thing again which makes him look like an outpatient on bingo leave. sharon’s frustration at the vote fixing is bubbling over for anyone to see. dannii is clearly trying to rise above the unspoken criticism that she’s in no position to judge anyone’s singing ability.

they tried to turn this series into american idol – so much so, hell, why not call it a season. the four judges sit there, knowing that brian friedman, the allegedly straight choreographer has screwed the acts up so entirely with his ludicrous performance direction that they can’t concentrate. but they can’t say anything, see, cos he’s playing along with this whole charade that he decided to step down from the judge’s panel himself. if they place the decline of this year’s x factor squarely at his feet, as well they might, he’ll sing like a canary. a really camp one.

most of these acts have already gone but i hope and pray for a wildcard week. forget lady shiverz and the fact that alisha was given bum songs apart from ‘valerie’. forget that rhydian is essentially a novelty act. forget that hope are sorely needed to relieve those queues back in primark. forget the fact that niki appears to have gone a bit doolally. forget the fact that simon is running out of non-incestuous songs for same difference. we need to start over.

in reality, i don’t really care about any of the acts who are left but i suppose i would prefer niki to win, of anyone. and this is what they should sing:

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alisha should sing…tracy chapman – fast car

kimberley should sing…tina arena – show me heaven

emily should sing…amerie – crush

futureproof should sing…after 7 – nights like this

hope should sing…mary jane girls – in my house

same difference should sing…rihanna and chris brown – umbrella

beverley should sing…gladys knight – if i were your woman

niki should sing…wendy moten – come in out of the rain

old faceless bloke who thinks he’s james blunt…hall and oates – rich girl

leon should sing…stevie wonder – knocks me off my feet

rhydian should sing…barry manilow – weekend in new england

young faceless bloke who think’s he’s james blunt…savage garden – to the moon and back

 

just let your soul glo: the groups November 11, 2007

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i did a post on jheri curl soul, as i like to call it, way back when i started this blog. it’s proved a popular post and really, one post summing up the predominant 80s soul sound isn’t enough.

so, i’m attempting to redress the balance by updating the post and turning it into a series.soul glo wasn’t just about the hair, although that played a big part and if it wasn’t jheri curled, backcombed and implausibly long, then forget it. and that’s just the men.an array of silk, satin and sparkly fabrics came on the market and soul glo artists used these abundantly. and don’t forget those shoulder pads. essential for the moody yet inviting, hands on hips pose favoured by many of said bands.

allude to yet more glamour and excitement in your lyrics. recommended themes are – gold and silver, notoriety, electricity, being the finest, a freak, turning someone on, having secret affairs, taking your clothes off .sprinkle liberally with tinkly sounds, synths, squelchy basslines and schizophrenic drum patterns.

et voila! (the soul glo fraternity loved them some faux francais, but more on that later…)

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52nd street – tell me how it feels

this band are not to be confused with the manchester group that later became joy division after their lead singer committed suicide. nope, these were shiny, happy jheri soul people…

con funk shun – electric lady

70s funksters who succumbed to the lure of reflective clothing and glistening curls. to be fair, a glance at the song titles of their previous material sounds like ‘now that’s what i call shoulderpads’ so it was a natural progression.

fatback band – i found lovin’

another 70s funk outfit who made the transition. and then some. this was one of the biggest hits of the genre and has been covered/ripped off by the likes of cashflow, ashanti and all saints.

five star – all fall down

pioneers of the brassy blonde, crispy fried jheri curl – that ddn’t really catch on. still, musically there was little between these teen brits and their older US counterparts. there’s a whole post on five star here

jets – love umbrella

polynesian siblings – at least 8 of them. despite the strict upbringing and familyness, the music wasn’t too preachy or safe, if a little bubblegum since the lead singer, mona, was about 14.

krystol – after the dance is through

like the 80s precursor to destiny’s child, although fit was for sad rather than petty reasons that the group went through so many lineup changes. a shame as they could have been big time.

mai tai – 1 touch 2 much

dutch soul trio who had a string of hits in the mid 80s, aptly named after the cocktail, they were energetic and fun, rather than moody, like many jheri soul acts.

royalle delite – spend a little time with me

lo-tech curl soul classic ‘i’ll be a freak for you’ wasn’t the only release from these elusive girls, and thanks to the wonder of itunes i’ve finally tracked this one down.

satin silk and lace – your love

i wanted this track for ages. its perfect mid 80s soul, written by leroy burgess. who were satin, silk and lace? i imagine a vanity 6 style trio.

st paul – intimacy

part of the extended paisley camp after a stint with morris day and the time. very athentic white boy soul – i was fooled until i googled.

system – you’re in my system

they call it ’emotio-electro’. i call it superior jheri curl soul. a bit like hall and oates with synthesisers.

starpoint – object of my desire

there’s plenty in the starpoint back catalogue. eleven albums in ten years. this track is so 1987. two of the members are now passed.