dirty martini

old music for new people

babies making babies December 20, 2007

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so, jamie lynn spears is pregnant. big surprise, that one. her family have been so busy watching britney self-destruct they took their eye off the hormonal teenager. textbook.

to be honest, she looks so much older its not that shocking. not like when sarah in corrie had a baby at 12. jamie lynn looks at least 23 to me.

er…congrats? good luck might be more appropriate.

as for the music – opinion is divided. as in life.

download here

aaliyah – age ain’t nothin’ but a number

now, aaliyah didn’t have any babies, but she did allegedly marry r.kelly at the age of 15. which was equally inadvisable. age is nothin’ but a number…and the law ain’t nothin’ but a judge in a wig.

alfonso ribeiro – not too young

yes, as in carlton banks from fresh prince. in the 80s he was apparently influenced heavily by new edition and this track has ‘candy girl’ all over it…no matter, all i can visualise is that dancing.

collie buddz – young girl 2 rude

don’t be fooled – collie may look like a trousersnake wannabe but he’s a reggae artist. and he’s not reggae’s answer to eminem either. he’s much better than that.

cool notes – you’re never too young

band members steve and lorraine’s baby is bradley mcintosh of s club fame. his musical heritage was not something that was mentioned during s club’s moment in the spotlight. probably thought it was too embarrassing – for the parents.

guru – young ladies

guru with added patra, kool keith and big shug.

janet jackson – young love

janet, of course, lives under the suspicion of having been a teen mum herself. the increasingly desperate debarges ‘leaked’ details of janet’s supposed daughter from her marriage to james debarge. the jury’s still out…

john david lewis – high school lady

quite who this person was and why he was singing about high school girls is anyone’s guess…

khadejia – here we go

wyclef jean affiliate khadejia didn’t do anything else, as far as I know.

musiq – 17

this song is about a girl who lies about her age in order to hook up with someone older…hey we all did it.

nicole ray – seventeen

i don’t quite get if ‘nicole’, ‘nicole ray’ and ‘nicole wray’ are all one and the same artist. did one of them do the song that was sampled for ‘nicole’s groove’?

prince – lolita

new skool prince that sounds satisfyingly old.

solange knowles – naive

b advises solo to act her age, slow it down, and….she ignored it. this was more of an embarrassment than matthew knowles was prepared to admit. when will people learn that the easiest way to get a kid to do something is to tell them not to do it?

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how do you say…deee-lite? October 30, 2007

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not everyone gets deeelite.

deeelite were retro at a time when retro was not cool. in 1990 we looked to the future not the past and the 70s sound was a stark reminder of the recent past. we laughed at photos of our parents in flares, platforms and afros – deeelite defiantly wore all three and looked cool. we were dumbstruck, and fell in love with their barefaced cheek.

their sound and their image complemented each other perfectly. swirly, quirky and full of colour. as 60s babies, the trio had updated the 70s rainbow funk of their childhood and updated it for the new generation. they were so not cool in terms of the new age image of the time that clothed itself in crystals and white chiffon, but their positive vibes complemented the ethos perfectly.

when they broke up in the mid 90s, it was probably just in time. their skippy, flower fairy psychedelia was still working. bjork didn’t manage to maintain it beyond one album. look what could have happened…

download here

apple juice kissing

grass roots soul – like any of today’s screechy r&b divas on valium and forced to sit in a garden all day.

groove is in the heart

this is the sampladelic relics… version as i’m sure you all have the original by now.

how do you say…love?

early house/bleep with a human edge.

picnic in the summertime

i remember the cd single cover looked like a victoria plum pencil pot i had in infant school. actually i still have the pot somewhere – and this guru remix.

power of love

the second single from their debut album ‘world clique’ and long a bone of contention for me as the single remix is vastly superior to the album version. and yet you can’t find it anywhere – so, this is a ‘pitchy’ as paula abdul would say, youtube rip.

pussycat meow

anyone remember mtv europe in the good old days? well during fashion show ‘the pulse’ (with swatch) this was often the soundtrack of choice. god the early 90s were camp…

runaway

from second album ‘infinity within’ this was a clubbier direction.

say ahh

chilled jazz hop with a floral trim.

somebody

ravey, rumbling track that was a bit darker than anything else on ‘dewdrops’.

stay in bed…forget the rest

lady miss kier can get down with the best of them…its not all butterflies and eyeliner.

what is love

bouncy rave track wth breathy vocals.

who was that?

popcorn style electro.

 

hiphop love songs April 26, 2007

…collective sigh of relief, one blogger isn’t getting into the whole don imus thing. quite frankly, I don’t know enough about it. more interestingly what it does seem to have triggered is renewed interest in the crusade against misogynistic and violent hiphop lyrics, a cause currently championed by russell simmons.i’m not going to delve for examples of russell‘s back catalogue that contradict this stance. it’s not big and it’s not clever – people are perfectly entitled to change their opinions.

what i’m not clear on though, is why they think the campaign will work this time round. the number of hiphop devotees has multiplied more than every other genre since the mass media last rallied in the early 90s. then, they targeted just a handful of rappers, including too short, tupac and snoop. because that was more or less the scale of the ‘problem’, a couple of record labels, a lot of overblown egos and scores to settle.

in 2007 its a whole different ballgame – they’re not attacking a subsection of underground culture, hiphop is now popular culture. no doubt, the campaign will hold up tupac and biggie‘s deaths, which now happened more than a decade ago, as proof of hiphop beef taken too far. and they were far from an everyday occurrence, the isolation of the incidents involving these tragic figures is exactly what has created their legend. far more people die on the streets every day than have hiphop icons over the last 20 years. and i’m pretty sure most of the street incidents happened to the kind of person who was going to get caught up in that world anyway. listening to eminem in your bedroom does not magically transport you out of the suburbs to the kinds of places where you might face those kind of kill-or-be-killed decisions.

perhaps the real shock factor in these deaths was borne out of a naïve assumption that a celebrity can more effectively shield themselves from someone who wants to kill them than the average member of the same community. that they were granted some kind of immunity and had transcended their circumstances through fame, rather than in fact becoming more vulnerable and a greater scalp.

what we should remember is that genuine hiphop tries to reflect real life. nwa didn’t just rap about compton to entertain you, that’s where they’re from and who they are. they were trying to give their community a voice, not suggest that their reality is anything like yours and that their actions and reactions would be acceptable within other contexts.

in the worst neighbourhoods, shot or be shot is an almost daily dilemma. tupac and biggie‘s deaths weren’t the shocking result of fiction overstepping the boundaries of storytelling, rather a sad indictment of a lifestyle they glorified for cash rather than broke out of. there wasn’t any fiction involved and their late material implied an acceptance of their fate.

so, those that should know better are regrouping to decide how to remove offensive content from hiphop. instead of convening to tackle the real life incidents that inspire it. then the rest of us can pretend its not happening anymore. great, well done.

ten non-offensive hiphop classicsdownload here common and mary j blige – come close
2004 cut from ‘electric circus’. common recognises that relationships can be hard and require sacrifice, but worth saving…

guru – when you’re near
king of non-offensive hiphop, guru and then-acid jazz ingenue n’dea davenport from the brand new heavies flirt back and forth in 1993.

guerrilla black – you’re the one
even g’s get it bad sometimes.

common and jill scott – 8 minutes to sunrise
now this one could really be messy – common has woken up next to his best friend’s girl.

foreign exchange – all that you are

how many men actively try to treat their women right?

ll cool j and boyz ii men – hey lover
ll
pioneered the hiphop ballad with ‘i need love’, then in 1995 he went one better and recruited r&b crooner boyz ii men to assist this tale of an unobtainable crush.

roots and erykah badu – you got me
new relationships are hard…especially when you meet in paris and are worried the spark will fade once you get home.

pm dawn – set adrift on memory bliss

best use of a sample ever. end of.

ali and gipp featuring letoya – almost made you

these relative newcomers are doing their thing, with ex-dc starlet letoya on board.

ll cool j – around the way girl

how come someone as fine as ll never gets his dream girl?