dirty martini

old music for new people

70s love groove June 27, 2008

i love that sound they used in the 70s. i can hardly articulate it but the theme tune to ‘robin’s nest’ is a perfect example. apparently it’s called mini-moog.

no matter what decade is currently being revived, the 70s remain cool. check out the tarantino soundtrack that never was, those 70s boy bands and the rainbow funk children.

download here

aretha franklin – until you come back to me

brothers johnson – tomorrow

cameo – sparkle

chaka khan – stay

earth wind and fire – devotion

heatwave – all you do is dial

isley brothers – at your best

kool and the gang – jones vs jones

maze and frankie beverly – southern girl

ramp – daylight

raydio – jack and jill

stevie wonder – you’ve got it bad girl

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the tarantino soundtrack that never was September 5, 2007

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as clever as tarantino’s movies are, the best thing about them are definitely the soundtracks. i had the pulp fiction and reservoir dogs soundtracks before i’d even seen the films. i wish i could say the same about kill bill – I spent the entire movie trying not to look at the screen.

he clearly loves the blaxploitation genre and attempts to recreate these films for a more mainstream audience. a difficult task – the 70s were cool, much cooler than the 90s. you could be forgiven for thinking that everyone was cool in the 70s, but you would be wrong. but the music, the artwork, the fashion all suggest a time when people had confidence, took care over their appearance and knew they looked good.

quentin tarantino himself is enjoyably nuts. i loved him on american idol, he is to that show what ricky gervais is to the x factor. you just don’t expect them to be such huge fans – surely they have better things to do – but they clearly love it. my newfound likihng for quentin was in jeopardy though, with that whole shar jackson affair – one degree of separation from kevin federline is definitely five too few. 

its hard not to visualise a potential tarantino scene when you hear most 70s soul and funk now, they’ve become so synonymous. but here are some tunes that for me conjure up images of samuel l jackson, ‘fro and gun intact, and make me want to go buy a clapped out orange ford capri.

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archie bell and the drells – soul city walk

the musical representation of an afro.

bill withers – the same love that made me laugh

bill is a soundtrack favourite, but i can’t remember this one being used yet. can imagine this in a scene where someone is tied up in the boot of the car.

bobby bland – ain’t no love in the heart of the city

intro credits theme?

bobby byrd – hot pants

for the obligatory dance scene set in smoky underground drinking den with pool tables.

james brown – the boss

i think this has already been used in a cockney gangster movie, but guy ritchie is no tarantino, as enjoyable as lock, stock and two smoking barrels may have been.

jerry butler – don’t rip me off

ideal for the scene where everyone is too stoned to realise their gun/cash/car is beiong lifted by somene they thought was on their side…

lyn collins – put it on the line

much sampled and a departure from lyn’s usual northern soul thumpers.

o’jays – 992 arguments

‘backstabbers’ would have been an obvious choice. too obvious. if you have even a passing interest in 70s soul then you should have it already.

philip mitchell – i’ll see you in hell first

no not that phil mitchell. although wouldn’t steve mcfadden would be great in a tarantino movie? with a touch of green corrective foundation perhaps. i suppose the whole ‘who shot phil?’ thing was an attempt at tarantino style. i really wanted one of those ‘i shot phil mitchell’ t-shirts.

rasputin’s stash – middle man

any one of rasputin stash’s tunes could fit a tarantino soundtrack, but middle men play a vital role in most of his plots, so…

swamp dogg – that ain’t my wife

more soulful than the artist name and title suggests.

willie hutch – pimps players and private eyes

willie actually contributed to a lot of blaxpolitation soundracks, including foxy brown, which is where this track comes from. but not many people will remember that so maybe its time it was recycled!

 

the truth about boy bands: the 70s August 25, 2007

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after the hysteria surrounding the beatles and stones in the 60s, one thing was clear. cute boys were a one way ticket to an early retirement. motown and stax were huge, but in a global sense, british pop had ruled the 60s.

calling some of these acts boybands is stretching it a bit – not all of them were successful in a commercial sense and would consider themselves male singing groups. however, if they sang songs that sent teenage girls crazy, they are boybands for the purposes of this post!

70s boyband essentials:

1. afro – natural or fake, the bigger the better. use an old skool microphone for inspiration.

2. flares – again, anything less than a 20 inch flare is just a mere wide trouser

3. falsetto – sprinkle liberally

4. family connections – if you’re not related, at least dress identically

also check out those they inspired in my 80s and 90s/00s boyband posts.

download here

jackson five – sugar daddy

the most famous 70s boyband, who started as backup to megalomaniac diana ross. why does that woman always get to force more talented people into the background? no clue back then as to how things would turn out with wacko or that jermaine would end up on big brother.

osmonds – one bad apple

more soulful than ‘love me for a reason’ and nowhere near as weird as ‘crazy horses’. many fortysomething women still swoon over donny osmond. which is easy to do if you’re uk based as he is the default chat show guest. he’s a nice bloke though

bloodstone – oh honey

usually a credible funk band that worked with marvin gaye and curtis mayfield, to name but two, but this track is pure 70s boy soul.

delfonics – trying to make a fool of me

revered 70s philly band who specialised in sweet ballads and falsetto. which makes this one of their more uptempo offerings.

sylvers – misdemeanor

sweet sounding ten piece family band who sang about girls, despite several sisters being in the band at one time or another. easy now to see where maurice starr got the inspiration for new edition.

chi-lites – oh girl

is it my imagination or did 80s mullet paul young cover this at one point? they also had the indiginity of seeing ‘have you seen her’ butchered by mc hammer. did they really need the cash??

detroit emeralds – you want it, you got it

another family group, who often dressed in green to labour the point about their name. in case you didn’t get it.

embers – little red book

very little is known about this group, but most people know this track.

five stairsteps – i love you stop

actually the original 70s brother band, predating the jackson five by a year or two. tried to yank back the crown with this track which sounds very much like ‘i want you back’.

o’jays – used to be my girl

hugely successful and adaptable band who rode the philly soul wave then settled into the disco era effortlessly. actually way too good to be called a boyband.

moments and whatnauts – girls

this collaboration between these two groups is probably their most well known work.

temptations – ain’t too proud to beg

enduring motown group, with a penchant for matching outfits. this song is actually from the 60s but…i like it, and i remember the temptatons being called the original boyband at some point.

 

70s baby 80s child… July 9, 2007

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i’m proud to be a disco era baby, born the same time as saturday night fever.obviously this means i don’t have very clear recollections of disco, but there is evidence that it had an influence on my infant years.  a photo exists of me at about 18 months old, looking terrified as my dad, a bee gees lookalike in obligatory tight shirt, sporting shoulder length flicked hair, beams.  my mum, in my christening photos, looks like a member of hot gossip.

I also don’t remember saturday night fever first time round, but an eight track cartridge of the soundtrack became one of the first albums I played, along with abba and the wombles, whenever I could get near the stereo – a big wooden Baird monstrosity, like the tv. eight tracks were fairly childproof, which perhaps explains why my parents had one, since they weren’t exactly early adopters…they only got into cds about 5 years ago.

my recollection of the novelty disco that followed – ymca, ottawan, boney m – is sadly slightly sharper. I can clearly recall stomping around our majorca hotel singing ‘hands up, baby, hands up…’ and forcing my very straight and very unenlightened dad to march up and down with me in a camp fashion to ‘in the navy’ by the village people. if asked what activity I wanted to take part in, apparently the answer was always the same – I wanted to go to the disco.

still, the first time I really heard chic was probably as an underage clubber in one of those great cheesy late 80s/early 90s clubs that are slowly becoming extinct. you know, carpet on the walls, lots of mirrors, peach wine (this was before alcopops) and a fat dj. during their retro half hour, a pointless exercise since no one in the club was over 18, they would play some disco before the obligatory birdie song and god awful jive bunny style 50s rock and roll.  if you weren’t around then, you have no idea how much clubs have improved over the last 15 years. unless you’ve been to a chicago rock café, in which case, you know.

disco was a nice introduction to music, let’s face it, punk was around at the same time so I had a narrow escape. to me, as to many others, it is a soundtrack to hazy flashbacks of high chairs and swirly 70s brown and orange wallpaper that prepped us for the clubbing mayhem of the 90s. it paved the way for dance music in all its forms and its appreciation belies the frankly pathetic ‘disco sucks’ movement perpetrated by US rednecks. get back in your caravan and turn up your insipid MOR rock – the glitterball is here to stay.

12 dazzling disco gemsdownload here

average white band – let’s go round again

 

 

black ivory – mainline

chic – my forbidden lover

dan hartman – instant replay

delegation – heartache no9

diana ross – the boss

jean carn – was that all it was

loleatta holloway – runaway

melba moore – this is it

odyssey – native new yorker

rose royce – is it love you’re after

sheila and b devotion – spacer