dirty martini

old music for new people

90s brit soul – quality over quantity April 30, 2007

at the turn of the decade, it looked as if uk soul had found an identity. for the most part, artists eschewed the trappings of new jack swing, with its distinctly american, over-produced sound, for a truly local style.


soul ii soul spearheaded this movement, that whilst fiercely british, paid homage to the daisy age, summer of love principles of artists such as de la soul. some stayed true to their soul roots, some moved into dancier territory and others built the foundations of new genres – acid jazz and jungle/drum and bass.


it was looking positive. but as r&b moved into the mainstream in the mid 90s, uk artists gazed enviously at their us counterparts and tried to emulate their success. usually this resulted in a diluted experience that wasn’t street enough for the clubs, yet still too urban for the dinner party set.


these are the ones that survived despite the odds.


ten 90s brit soul survivorsdownload here

shola ama – you’re the one i love – 1996
shola
signed a deal on her 16th birthday that would lead her to become the UK’s most successful r&b female singer in the late 90s. in good rags-to-riches tradition, she was discovered singing at a tube station and released her first single ‘celebrate’ on an independent label in 1995. amusingly, her wikipedia entry declares an addiction to pork pies as a reason for her downfall. when ‘pork pies’ became a euphemism for ‘cocaine’, i’m not sure…





kele le roc – my love – 1999


kele has perhaps become more well known for guest appearances with artists such as basement jaxx than for her solo career. her debut arrived at a time when every r&b single was subjected to the 2-step remix treatment and the uk garage mix of ‘my love’ is one of the best known examples of the genre and certainly eclipsed this underappreciated ignorants‘ r&b mix at the time.


caron wheeler – i adore you – 1992

a stalwart of the uk black music scene since her days in teenage lovers rock band brown sugar in the mid 70s. in the late 80s caron hooked up with legendary dj jazzie b and the rest is history. her role in soul ii soul laid the foundations for a renewed solo career and her album ‘uk blak‘ was released in 1990 to critical acclaim. ‘i adore you’ is her best known solo track, from the 1992 soundtrack ‘mo’ money‘.


elisha la verne – i may be single – 1996

elisha seemed destined for bigger things when she arrived in 1996. like many other artists, she has found enduring success in japan. i can remember a pa she did at my local club in 1996 that was met with cool indifference by the predominantly house-loving crowd. if she’d arrived a few years later things could have been quite different.


tongue ‘n’ cheek – nobody – 1990

tongue’n’cheek’s initial outings, covers of cheryl lynn and patrice rushen disco-era classics, were met enthusiastically after the foundations for brit soul were laid by soul ii soul. this track, remixed from an 1988 original, had a new jack swing feel to it and was far more interesting. tongue’n’cheek suffered somewhat from being difficult to pigeonhole as either a soul or dance music act.


kenny thomas – thinking about your love – 1991

cheeky chappy kenny thomas charmed his way in to the british record buying public’s hearts with a cover of the gap band’s ‘outstanding’, together with winsome video in which he strolled through an east end market. this track was another cover, but not many people realised at the time. he also covered the force md’s ‘tender love’ as if it was his own soon after, capitalising on the fact that mainstream britain knew fuck all about soul music until quite recently. fair play to him.


celetia – missing your love – 1995

with aaliyah, monica and brandy on the scene, it was decided that the UK needed its own underage r&b starlet. enter brixon girl celetia martin, sort of. her debut album failed to ignite, with the then 14 year old slammed for her raunchy lyrics. sometimes i wonder what these critics were doing when they were 14 – knitting? it wasn’t really that shocking… her second album ‘runaway skies’ saw her adopt a more unique and organic persona and was infinitely more successful. she now lives in LA and is working with big name producers such as soulshock and carlin. impressive.


lynden david hall – do i qualify – 1998

could have been one of the biggest artists in the uk if his life wasn’t cut short last year due to hodgkin’s lymphoma. first album ‘medicine 4 my pain’ was a huge success in 1998, and was the first uk artist voted as best male by blues and soul readers. he went on to star in ‘love actually’ as a wedding singer.








don-e – love makes the world go round – 1992

don-e arrived in 1992 with this sunny track, from his debut ‘unbreakable’. although his career stalled after this brief success, he resurfaces occasionally, and joined forces with deni hines to cover new edition’s ‘delicious’ to great effect in 1995.

beverley knight – flavour of the old school – 1994

the most consistently successful artist on this list and owner of an amazing voice. beverley started out in 1994 with ‘b-funk’, and i prefer this early material to her later more poppy/mainstream offerings as I get a bit annoyed when uk r&b artists feel the need to start including guitars in their work to get any kind of recognition…

Advertisements
 

new edition – the beginning April 24, 2007

you only have to say their name and ladies of a certain age melt. as noted by kanye west in ‘slow jamz‘, girl needs to hear some new edition if you’re planning to get lucky tonight.bobby brown, ralph tresvant, michael bivins, ronnie devoe, rickey bell, and later johnny gill, gave an entire generation of girls a standard of boyfriend to aspire to. before they wound up with broke ass players ten years later. how big were they? madonna was their support act on tour in 1983. they appeared in ‘knightrider‘ with the hoff.

their first single, ‘candy girl’ was my first ever record in 1983. a shout out to seven year old girls everywhere, we rejoiced as finally there seemed to exist boys who understood how we wanted to be treated.

whilst our infant school nemeses pulled up our skirts, yanked our hair and made us pretend to be princess leia, minus gold bikini, new edition made it clear they were up for playing kiss chase.

sadly boys grow up more quickly than you think. After two great albums, bobby brown left due to behavioural issues (cough) and started his solo career in 1986. johnny gill replaced him and the next two albums were lacklustre.

then, they found their groove at the turn of the 80s on the burgeoning new jack scene with ‘heart break’. due to contractual obligations leaving them an album short of their agreement with mca, they reunited in 1996 as grown men, and their 2008 regroup as thirtysomethings is imminent. not so much a comeback as a ten year reunion.

no matter how old they or I get – I’ll always be their candy girl.

ten sugary sweet new edition classicsdownload here

candy girl
the one that started it all complete with sonic whooshes, bleeps and tambourines.

popcorn love
the follow-up, not nearly as successful, but classic. get the feeling the boys liked their junk food?

cool it now
their only real low point as a band has been letting amish casualwear sweatshop gap use this 1984 hit in one of their insufferably smug adverts.

mr telephone man
smooth 80s boy soul at its best. nice use of late 70s wah wah sound. there are no words to describe how much i loved this song.

my secret
1985 hit from their second and best album ‘new edition’. ‘ooh! sparks begin to fly, lightning in the sky…’

leaving you again
recently sampled for ciara and bow wow‘s ‘like you’….took me ages to recognise where it came from.

delicious
surprisingly mature effort from 1985 ‘new edition’ album. was covered in the 90s by british soulsters don-e and deni hines.

can you stand the rain
lush ballad from ‘heart break’ with johnny gill on lead vocals.

crucial
uptempo hit from ‘heart break’ that showcased the boys transition into new jack swing dons.

hit me off
the lead single from the 1996 comeback. slotted effortlessly into the mid 90s bumpy r&b scene.