dirty martini

old music for new people

when life imitates art May 11, 2008

this mariah and nick cannon thing…has to be fake surely. i know she’s madder than a bag of ferrets, but shotgun wedding to serial dater and no pre-nup? come ON…

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aaliyah and r.kelly – the thing i like

very seedy – aaliyah signed with r.kelly’s label at 13…and two years later they allegedly married when she was 15 although the certificate said she was 18. maybe she was? of all the discussions i’ve seen on this topic this hasn’t been raised a possibility. aaliyah went on to date damon dash. and r.kelly? not going there.

ashanti and nelly – switch

not sure if these two are still together or not – in any case both are releasing albums shortly so you can bet that they’ll let us know one way or another, depending on how their publicists decide to play it.

beyonce and jay-z – upgrade you

i want to like jayonce, but they have really dull friends like ‘new bono’ chris martin and gwyneth paltrow. on the upside, their inevitably impending offspring will have fabulously ghetto names, probably chosen by worlds’ scariest mama tina knowles. bet she’s scouring those 80s music lists for a faux francais babyname that jheri soul’s finest would be proud of.

bobby brown and whitney houston – something in common

oh how we loved bobby and whitney – 80s badboy teen falls for older woman and mends his ways. for about five years, then he has an early midlife crisis and it all goes badly wrong. now whitney is trying to replicate the good old days with an even younger model and bobby is trying to get it on with anyone who’ll have him.

brandy and boyz ii men – brokenhearted

think those child protection laws must’ve been a bit slack in the early 90s. like aaliyah, brandy fell prey to an older counterpart but *sigh of relief* it was sensible old wanya of non-threatening boyz ii men, and he apparently waited until she was 16…

common and erykah badu – the light

after splitting with andre 3000 of outkast, crazy bag lady erykah (i do mean that in a nice way) hooked up with smiley rapper common. this woman outcrazied two rappers. do not mess.

jennifer lopez and p diddy – feelin’s so good

i did like j lo and puffy. it was a shame about that inconvenient little shooting incident which scared her off. they were fabulously trashy and didn’t care. she also was channelling the best outfits of her life when they were together. i still want that green tropical versace number…

kelis and nas – popular thug

seemingly solid couple and i’m kind of impressed with nas that he chose kelis, who clearly is not your run of the mill model-video actress-clinique salesgirl by day type, which he no doubt had his pick of.

mary j blige and kci hailey – i don’t want to do anything

a bad move for mary, and i would say that jodeci were more than a little tarnished by the revelations concerning the destructive nature of her relationship with kci, which she was dealing with for years before she met kendu. karma’s a bitch – have you seen the state of jodeci lately?

notorious big and faith evans – one more chance

not the likeliest of lotharios but biggie managed to charm quite a few women in his 23 years…faith and lil kim faced off quite publicly about him for a while and let’s face it, must have felt a bit ridiculous fighting over someone so er, non-standard.

prince and vanity – if a girl answers

prince and vanity lead denise matthews had a short lived relationship, once they split, denise aka vanity, hightailed it and was replaced by patricia kotero in a new group, appollonia. *crickets* yes of course he did, why do you think she got the job? vanity went on to date slighty taller men – adam ant and billy idol.

rihanna and chris brown – umbrella

so, blabbermouth jordin sparks lifted the lid on the relationship and now they’ve been ‘spotted’, unwittingly, in kfc…oh god…i mean they’re both like, 12 years old, why do i know this?  chris has only just started to form vowels properly.

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‘…sounds a bit like prince…’ January 4, 2008

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 as a new artist, or even as an established artist, one of the greatest endorsements is to be labelled as sounding ‘a bit like prince’.

the saving grace of lazy journalists everwhere, these few words can rescue a flopping album, even if they are only bestowed upon one or two tracks. now that prince himself is more rock-fixated, the promise of just one or two scraps reminiscent of his 80s prime can be sufficient to spark interest amongst the musical cognoscenti.

to a lesser extent, this peculiar brand of retro copycat hype has previously been applied to artists lauded as the new ‘stevie wonder’ or ‘madonna’. there isn’t going to be a new prince, and it turned out out that those artists were similarly irreplaceable. the excitable, yet totally unreal, music journalism of the the late 90s has given way to a more considered approach.

we don’t need a new prince – clearly the man has produced gargantuan amounts of music and yet more could be unleashed at any point (please). the accessibility of retro music means that we don’t need rafts of exciting new artists – gone are the days when you had to pay a premium to get hold of music that was no longer in the charts.

we just need a few new songs every now and then. and they should sound as much like ‘when doves cry’ as possible.

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alicia keys – like you’ll never see me again

debuted with an album containing a prince cover – a b side no less, to show her fan credentials.  on this track, not only the production, but the vocal style and lyrics ooze purple. a lesser artist could be accused of bandwagon hopping but alicia has already proved herself.

chris brown – take you down

chris brown, however, has clearly been advised that the tumble tots r&b will only take him so far and is trialling a new, more adult musical direction – prince. job one should have been to work on that childish feature in his voice that makes him sound like he’s not old enough to form singular vowels – evidence: ‘you make me say yeeeeeoooooaaaaaawwwwww’. shit, my cat forms better vowels than that.

the dream – fast car

i like what i’ve heard from the dream so far, which isn’t a lot. but this and album track ‘nikki’ do reek of ‘obligatory prince-esque production’ to hook gullible and lazy journalists and perk up enthusiastic but clueless PR. basically this is ‘little red corvette’ not-so-updated for the 00s.

erykah badu – honey

an interesting detour for ms badu. i love her music but neo-soul artists can often fall into the dull and worthy trap, making their albums unlistenable by the time they get to their fourth outing.

justin timberlake and beyonce – until the end of time

the influence is slightly more subtle here, but those ‘when doves cry’ instruments are there, just slower, and the overall vibe is classic prince slow jam.

kevin michael – liquid lava love

like robin thicke with a curly afro and arguably more soul. expect big things from this one.

ne-yo – sex with my ex

ne-yo got a lot of stick for allegedly being gay. then when he fathered a child, he got a lot of stick for being ugly. now he’s getting a lot of stick for churning out a raft of soundalike tracks for the artsts he produces for. with all this abuse perhaps he’ll soon have more in common with craaaaaaig david.

p diddy and keyshia cole – last night

an absolute, straight in your face ‘erotic city’ ripoff so blatant that you can’t really argue. as ever, diddy’s montone adds little to the proceedings.

ryan leslie – i-r-i-n-a

ryan leslie’s productions have more than a whiff of purple about them but his own album was fairly narrative and self-celebratory which isn’t prince’s style. prince’s lyrics are cute and playful and focus on the subject rather than the protagonist and so i’m talking production similarities here – there’s no parallel in terms of subject matter, although this is the closet r-les gets to purple greatness.

snoop – sensual seduction

the video and lyrics are classic prince, but the production?  not like anything i’ve heard from prince, but perhaps i’m missing something. the synths are straight out of early 90s chillout, i’m pretty sure they’re too floaty and random for the machine funk of the 80s. nice combo though, me likey.

sterling simms – nasty girl

sterling jumps right back to late 70s prince while everyone else tries to recreate the 80s.

van hunt – hot stage lights

i only just listened to van hunt after hearing his name for years. and now i have a new musical crush. the only good thing about discovering artists late is that there is usually plenty of material to whet your appetite.

 

you can’t escape christmas December 17, 2007

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 i always give in to christmas songs for the last week or so…

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band aid – do they know its christmas

the original is still the best even if supremely irritating bono is in it spreading his smugness instead of charity spirit. bananarama look pissed off as usual, in the video. a riot of mullets, 80s plaid and britishness. although i saw the 1989 version today and thought, what on earth happened to matt goss? he actually could sing.

donny hathaway – this christmas

i love donny hathaway’s voice. i love this song for being instantly recognisable yet slightly under the radar – if it hadn’t been covered by ashanti, usher, chris brown, destiny’s child, joe, slaguilera and countless others.

elton john – step into christmas

part of the all-conquering 70s christmas lineup that gets rolled out every year. reminds me of my first ever saturday job circa 1991.

mariah carey – all i want for christmas

has become a christmas classic and possibly the last great christmas song that was recorded. roxanne cooper from pop idol 3 did a decent cover version. mariah is trying to be too cute in her santa outfit though.

luther vandross – please come home for christmas

soulful remake of the eagles original, as covered by bon jovi.

nkotb – i’ll be missing you come christmas

i loved this. i was 14 and in love with jordan knight and thought i would be forever. i can barely remember the rest of the nkotb christmas album apart from a woeful cover of little drummer boy by danny ‘horseface’ wood.

paul mccartney – wonderful christmastime

very hazy memories of this from my childhood. can’t believe i’m featuring a fab macca thumbs aloft track on my blog. what next – the frog chrous?

slade – merry christmas everybody

obvious, but you can’t leave it off the playlist.

stevie wonder – what christmas means to me

overlooked classic.

tlc – sleigh ride

fun track from their ‘oooh on the tlc tip’ era. not a dayglo condom in sight though.

wham – last christmas

possibly the best christmas song ever. love watching the video and working out whether it was obvious that george was gay. some scary fair isle sweaters are present but everyone dressed like that in 1984.

wizzard – i wish it could be christmas everyday

i actually prefer this to slade. i know a lot of people think that this is by slade. most of the 70s glam rock bands do look and sound exactly the same…

 

x factor 2007:back to the day job December 1, 2007

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 now, i love the x factor but this year it’s going downhill. finding someone as talented as leona lewis was always going to be a problem but something is seriously wrong here. i can barely watch what’s going to happen.

simon is staking his claim on an unlikely spice girls reunion induced girlband fever and the high school musical cashcow rather than credibility this year. louis is doing that odd rocking backwards and forwards thing again which makes him look like an outpatient on bingo leave. sharon’s frustration at the vote fixing is bubbling over for anyone to see. dannii is clearly trying to rise above the unspoken criticism that she’s in no position to judge anyone’s singing ability.

they tried to turn this series into american idol – so much so, hell, why not call it a season. the four judges sit there, knowing that brian friedman, the allegedly straight choreographer has screwed the acts up so entirely with his ludicrous performance direction that they can’t concentrate. but they can’t say anything, see, cos he’s playing along with this whole charade that he decided to step down from the judge’s panel himself. if they place the decline of this year’s x factor squarely at his feet, as well they might, he’ll sing like a canary. a really camp one.

most of these acts have already gone but i hope and pray for a wildcard week. forget lady shiverz and the fact that alisha was given bum songs apart from ‘valerie’. forget that rhydian is essentially a novelty act. forget that hope are sorely needed to relieve those queues back in primark. forget the fact that niki appears to have gone a bit doolally. forget the fact that simon is running out of non-incestuous songs for same difference. we need to start over.

in reality, i don’t really care about any of the acts who are left but i suppose i would prefer niki to win, of anyone. and this is what they should sing:

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alisha should sing…tracy chapman – fast car

kimberley should sing…tina arena – show me heaven

emily should sing…amerie – crush

futureproof should sing…after 7 – nights like this

hope should sing…mary jane girls – in my house

same difference should sing…rihanna and chris brown – umbrella

beverley should sing…gladys knight – if i were your woman

niki should sing…wendy moten – come in out of the rain

old faceless bloke who thinks he’s james blunt…hall and oates – rich girl

leon should sing…stevie wonder – knocks me off my feet

rhydian should sing…barry manilow – weekend in new england

young faceless bloke who think’s he’s james blunt…savage garden – to the moon and back