dirty martini

old music for new people

remix me baby November 7, 2008

bluestrawberry

there are very few tracks that I will have mutiple versions of on my ipod. seems like a waste of space.

these are all exceptions. they’re either very different form the original, resung or i just couldn’t choose between mixes…

download 90s r&b remixes

brownstone – if you love me – characters funk remix

destiny’s child – say my name – timbaland remix

groove theory – tell me – 6 karat hip hop mix

jade – don’t walk away – mack daddy walk

mariah carey – dreamlover – theo’s club joint

mary j blige – you remind me – daddy hip hop remix

mokenstef – he’s mine – big ham remix

monica – like this and like that – full crew remix

shola ama – who’s loving my baby – ignorants remix

swv – weak – bam jam’s jeep mix

tlc – creep – untouchables remix

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90s r&b: long lost midtempos September 15, 2008

90s r&b albums were full of midtempos, even though it was usually the ballads or club bangers that got released as singles.

so, there are plenty of quality tunes that never really saw the light of day.

download 90s r&b midtempos

assorted phlavors – lovin’ on the d.l

the girls only released one album, and managed not to overdo the ballads. arrived at the same time as allure, who were more successful. well, they made it to three albums.

brandy – as long as you’re here

this is from brandy’s 1994 debut. like so many other r&b albums of its era, it had some tiresome interludes and so you often didn’t make it past ‘sunny day’, which is a shame as there were a couple of cool midtempos.

brownstone – revenge

like 3t, brownstone suffered somewhat from the michael jackson effect. believe it or not at one point he was considered a bit safe…anyway, by the time of the girls’ second album they appeared to have shaken off the worthiness that plagued parts of their debut.

braxtons – girl on the side

the fact that the sisters would only make one album was a foregone conclusion. spin-off family groups have limited success for a reason. if any were better than their famous sibling, they would have been the one with the career.

changing faces – am i wasting my time

less sleazy than their other earlier offerings. they marked their territory early with ‘stroke you up’, but could have had much more interesting careers if they’d switched to an A&R with a clue.

janet jackson – where are you now

janet only really started doing midtempos in the 90s as far as I can remember. this is the janet remixed version, which is far superior.

kreuz – crush on you

kreuz, in true copycat brit style, tried to emulate r.kelly with tunes like ‘slap and tickle’. this is so much better. these days, emulating r.kelly is best left to the comedians.

mariah carey – slipping away

not strictly an album track, but should have been as its better than the ballads on ‘daydream’. love this early 90s style mariah.

mokenstef – it happens

i always thought ‘he’s mine’ was a cute song, but didn’t have high hopes for the album. this is a really nice track, that could have made a great single.

shola ama – can’t have you

shola is the uk queen of midtempo soul, when she isn’t being remixed for the uk garage crew. that late 90s/early 00s style has been sounding tired of late but with the next decade approaching it will probably undergo a revival.

swv – coming home

swv’s first album saw many tracks released and remixed, but not this one. i think a remix would have lost the point, so its good that they left well enough alone.

xscape – is my living in vain

xscape don’t have a plethora of great album tracks in their back catalogue, their strongest tracks tended to get released, but this is the essence of their debut.

 

put the lime in the coconut June 19, 2008

before ice cream…there was fruit.

download here

112 – peaches and cream

brick and lace – my apple

brownstone – grapevine

jeannie reynolds – fruit song

kid creole – don’t take my coconuts

mista – blackberry molasses

mtume – juicy fruit

prince – raspberry beret

sade – cherry pie

smooth – strawberries

 

r&b girl bands: voted off the island April 26, 2008

assuming they were famous enough to get on a reality show in the first place. the 00s have not really been a great time for girl bands. in the late 90s it was a crowded market, full of stage school wannabes thrown together with people they hate and a few genuine girl groups looking to capitalise on the spice trend.

who do we have now? sugababes? girls aloud? tch…

download here

3lw – feelin’ you

ok not exactly drifting towards obscurity but in music terms, it’s over. interestingly when they debuted in 2000 they were sounding too mature and now in their 20s, they’re disney. counter-intuitive.

411 – on my knees

brit girl band from a few years back. like danity kane but less porn channel and more smtv. fond of hiphop sampling to communicate street credentials.

aaries – strangers to lovers

have collaborated with sir musiq of soulchild and this alone should have raised more interest. add that to the fact that they’re a fairly talented bunch and make quality soul not ringtone r&b and it’s difficult to see where it went wrong.

anjel – not the way i pictured it

after being dumped by beyonce and kelly (ok, beyonce and mathew..), letoya and latavia hooked up with naty quinones and tiffany beaudoin to form short-lived anjel.

bella  – never be me

yet another ‘big on myspace’ act that didn’t translate. see also ‘jazzy’ and ‘unklejam’.

blaque – i’m good

had a not bad run thanks to their mentor, left eye. blaque actually started out ten years ago nowm as blaque ivory. this track is now a staple of show like ‘so you think you can dance’ and ‘bump’n grind’ on trouble.

gyrlfriend – sprung

produced by the underdogs, but it wasn’t enough. their names is so 90s, as well.

her sanity – xclusive

over-produced and silly name. like a budget version of allure.

isyss – not letting him go

including the sister of actress meagan good, this group were quite good and focused on uptempos, which is always a bonus.

js – someone

think changing faces, not updated a great deal, for the 00s. i might have missed something but i don’t recall the original group being so popular that we needed a sequel.

phajja – checkin’ for me

their two albums were actually ok. a bit like brownstone to me. but they nicked a classic album title, ‘meeting in the ladies room’ and this seemed to seal their fate.

tg4 – two minutes

not very tastefully sang about virginity with needa s…yes that old woman once known as smooth. eww. that family are sleaze. lying about their ages and allegedly corrupting kids.

 

everybody loves leona April 11, 2008

so leona has cracked the US, big time. i’m pleased for her and now I see why her album contains so many ballads. their cheese radar is lower than that of the endlessly critical brits, perhaps…and some people find ballads cheesy. leona does them well though.

so whilst ‘spirit’ is good quality, there’ll be plenty of time for a mature sound later on. now that she’s cemented her popularity for the foreseeable future, she really needs to nail the pop/r&b crossover next time. anyway, since leona’s second album must be a sure thing by now I was wondering how it’ll turn out. so, these are the types of songs that I’d like to hear from her.

download here

aaliyah – hot like fire

leona has the right tone to her voice to copy aaliyah’s style but has much more range, so it would be interesting…

adriana evans – looking for your love

this type of sweet, live instrumental track would be a good personality fit for leona, who appears to have won over the US and UK public with her sweet, down to earth manner. i’m not with those who translate this into a lack of personality – if she was delivering witty asides to camera, that would be fake.

amerie – crush

this would have been a cute track for leona. for whatever reason amerie continue to flop, maybe leona could take this off her hands…

brownstone – if you love me

no point having that vocal capability if you’re not going to show it off?

juicy – sugar free

in fact she did record an updated version of this called ‘suga sweet’ pre-x factor, and it’s not bad. midtempo 80s soul would be a nice contrast with her voice.

mariah carey – we belong together

in a way, ‘better in time’ is her ‘we belong together’. but another one won’t hurt. maybe she should keep it back for her third album.

prince – if i was your girlfriend

some princespiration won’t go amiss…why not, everyone else is doing it. if leona’s going to shake off her good girl image, she should go classic, not sleaze.

keisha white – open like so

leona will need to do sass at some point. not in a trashy beyonce style, or man-bashing late 90s jittery r&b, but something a bit more direct. like this.

kelly rowland – can’t nobody

i see this as the type of club track leona might do – not too aggressive or desperately current, just something that works.

alexander o’neal and cherrelle – never knew love like this

leona and lemar. please.

shola ama – you’re the one i love

this was the song that i remember shola for the most, not sure if it was her biggest hit but it was the perfect balance between pop and r&b. but in the 90s, for a uk artist, this was about as r&b as it got.

swv – weak

if leona sticks with some ballads, I would love to see her tackle some 90s style slow jams.

 

i’m a 90s girl December 19, 2007

lollipop1.jpg

 not every girl needed the security of a band in the 90s. these are some brave souls who stepped out on their own talent.

download here

chantay savage – betcha’ll never find

best known for her 1996 remake of gloria gaynor’s ‘i will survive’, but she actually released her debut album, including this uptempo track, three years earlier. was said to be recording a new album in 2005, but no sign yet.

diane marsh – private party

well connected uk singer if you believe her myspace. no idea how old she is now but she had a great voice and should make a comeback with a network like that…phew!

elisha la verne – i may be single

elisha did well in japan, mysteriously. well you know what i mean…i know they go for the whole blonde thing but when certain artists blow up over there and leave their home country cold i always think its odd. is it just good PR? content? style?

gina thompson – the things you do

bad boy affiliate whose debut single provided a platform for soon-to-be superstar missy elliott, but failed to ignite her own career.

jamecia – keep it real

mystery artist from 1995.

laurnea – infatuation

still doing it. this is from her first album in 1997, which she worked on with joss stone’s alleged sugar daddy, raphael saadiq. i’m still not sure i believe that rumour…

maxeen – searching

annoyingly, maxeen is now the name of some dreary post-indie, post-punk, post-quality, post-anything-remotely-interesting band.  which makes it difficult to google the original.

mona lisa – just wanna please you

mona had a successful album at the age of 16 and is back with new material, most of which sounds pretty good, at the ripe old age of 27.

monifah – i miss you

lauded as the vocalist to beat all other 90s r&b vocalists at the time she minorly blew up after contributing this song to the new york undercover soundtrack. managed to put out three albums.

taral hicks – distant lover

minorly successful with her one and only album, she is now part of the soul kittens cabaret along with nicci gilbert of brownstone, monifah and several other people i haven’t heard of.

yvette michele – i’m not feeling you

yvette sang the hook on ‘loud hangover’ and a potential star was born. liked to sing about how crazy she was about DJs, a common 90s affliction.

zakiya – love like mine

her second album was shelved and she seemingly gave up on her career…shame as this track was bouncy in a groove theory ‘tell me’ kind of way. never a bad thing.

 

90s girl bands – premier league May 12, 2007

though the pop decade would be dominated by boy bands such as nkotb, take that and the backstreet boys until girl power hit, on the r&b scene, girl bands were always big business in the 90s.

after the spice girls, many tried to emulate their cartoony characteristics to achieve crossover success, but the truly talented chose credibility over advertising deals.

the integration of hip hop beats into r&b tracks was first heard on en vogue’s hold on in 1990 and the influence of the grittier hip hop scene saw some bands adopt a more casual or comedy image, notably tlc and jade, mostly via their clothing, to identify themselves with the more credible hip hop scene.

by 1995, it became more acceptable for girls to be girls and a more glamorous side emerged, eventually becoming the perfect complement to bad boy’s patented late 90s bling scene. despite this, many of the girls were tied to bad record deals and failed to recoup much of the reward for their success.

but this is the a list. you can check out the b list and the one-hit wonders too. imagine how much cash these girls didn’t make. and how much fame these z listers didn’t get.


these girls were on top of their game in the 90sdownload here
en vogue – lies
in 1990, en vogue sounded like nothing else. slickly manufactured 80s soul had given way to new jack swing but some were finding the music over-produced. enter four girls, looking like the supremes, but singing over the kind of beats associated with bands like nwa and public enemy. in a rare faux pas, smash hits labelled en vogue one hit wonders in their round up 1990 – quote “…their second single currently ‘lies’ (arf) in the discount bin at woolies…” I think the only reason I remember this is that it was actually quite funny. but wrong.


tlc – ain’t too proud to beg
colourful, cute and individual, tlc burst onto the scene in 1992. condoms flying. their first album ‘oooh on the tlc tip’ was slightly overshadowed by their loud image, but by the time ‘crazysexycool‘ was released in late 1994, the girls were all grown up. if it were possible to wear out a cd i would now be on my 25th copy. though chilli and t-boz tried to carry on without left eye, it was visibly painful and they’re now working on solo projects.

destiny’s child – show me the way
hands up who preferred destiny’s child back in the day? beyonce‘s voice is natural and the four girls harmonise perfectly. this track is from their debut, at age 15, and letoya is rumoured to be singing on the first verse. it does sound like her. maybe one day all six members will reunite, dreamgirls style….or not.


swvi’m so into you
inspiration of many of today’s current female r&b singers and the crown queens of new jill swing. swv were young, but looked older due to some hard times growing up. famously sampled wacko on ‘right here’ and went on to release five singles from their successful first album. band member lelee has recently alleged that they left their contract penniless in 1998, mirroring tlc‘s experience with laface.


jade – i want cha baby
game attempts to look sexy in lumberjack shirts five sizes too big paid off for jade, whose worldwide hit ‘don’t walk away’ put them up there with swv for a time. for years, the intro to that song featured on many an answerphone. after a second successful album, like swv and tlc, jade suffered from mismanagement and split in 1994 with little financial return.


702 – steelo
in the mid 90s, 702 tried to fill the gap left by financially ruined girl groups before them. against the odds, and with scant vocal ability, they have survived well into the 00s, partly due to the clout of longtime compadre missy elliott. still, they are responsible for some nice tracks.




eternal – stay
when they arrived, eternal were revered in the uk as a band the american record buying public would lap up. their success, whilst sizable, remained slightly more local so it was rumoured that single white member louise was offloaded to improve their chances in the us r&b market. unlikely, but in any case it turned out in her favour and she’s the only member still getting work. unless you count kelle bryan’s appearance on celebrity love island. which is precisely the opposite of being in demand.


xscape – understanding
underrated girl group who favoured mid and slow tempo jams that allowed their vocals to shine. another young group, the then mid-teens sang at jermaine dupri’s birthday party in 1991 and got a contract for their efforts. split in 1998 but now regrouped.


total – no one else
total were a bad boy project, originally singing choruses on hip hop joints for artists such as biggie smalls and ll cool j. had they stuck with this strategy, they could have disguised the fact that neither kima keisha or pam can actually sing. their debut album was painful listening and i dread to think what the untouched demo sounded like. the beats of course, were bad boy’s, and wasted on them.

brownstone – if you love me
this group managed to negotiate the obvious pitfalls of being signed to wacko‘s label and became reasonably successful with this track in 1995. after replacing a member who left due to bronchitis (read: girlfght) they failed to recover.