dirty martini

old music for new people

let battle commence September 16, 2007

fruit-water.jpg

wow, looking at this autumn’s release schedule you’d think people still bought cds. i’m joking…

 anyway, here are some of the more anticipated albums due over the next few months.

download here 

leona lewis – bleeding love

album due november

well, this isn’t going to halt those mariah comparisons, and it’s a canny move much like mariah’s debut ‘vision of love’. midtempo, not too r&b, not too MOR, not too pop. i think she’s done the right thing, and watching the new series of the x factor, and hearing them say they’re looking for someone even better than leona this year could prove tricky.

mya -walka not a talka

album due…who cares?

apparently some people still care about mya’s album getting pushed back for the hundredth time. why? she’s crap. she can’t sing and even lumidee has had better songs than this. she’s a hook singer, at best, or perhaps a victoria beckham. as in, the one who doesn’t get to sing much in a group with at least four others.

teedra moses – take my love away

album due…once you’ve forgotten her real age

i really like teedra moses but i just checked her wiki and it says she was born in 1980. um, i remember reading that she was born in 1973 like her ex-husband, and then elsewhere that her management try to cover up her age, hence the delay in this album. must be annoying when they are people like me with an eye for detail.

keyshia cole – shoulda let you go

album due…late september

i like keyshia. i don’t think she’s the greatest singer but i do get the mary comparisons. the only criticism i would put forward is that so far her material doesn’t appear to have moved on that much. not necessarily a bad thing.

craig david – 6 of 1 thing

album due november

at one point it looked like bo selecta had killed his career but craig is back looking better than ever. the collaboration with kano won’t hurt. he appears to have stopped referring to himself in the third person as well. which is why avid merrion picked on him in the first place no doubt. i did laugh a lot at that ”wack’ is american for ‘shit” line…

alicia keys – no one

album due november

well, ‘no one’ is both vintage alicia and also a slight departure in terms of vocals, so its the best of both worlds so far. she’s going to sell whatever as she’s tapped into most markets, and inhabits that rare space of cool and commercial.

ashanti – you can’t deny it

album due december

irv gotti’s recent revelations and the resulting fallout may push this back further. clearly she’s keeping schtum so the inc don’t let her flop. i don’t understand the hatred some feel towards ashanti, she’s just kind of there. been in the right places at the right time i suppose.

chilli – gliding

album due january

why someone like chilli would need akon to steer her career is beyond me. in a sea of faceless, talentless r&b girls, I’m sure someone with a tlc pedigree and a usher-related story to tell could find a better deal. luckily it turns out none of it was true. she is getting on a bit now though.

d’angelo – really love

album due ?????

anything from d’angelo is welcome. the downside of the digital age is that so many quality artists struggle and have to wait so long for some backing. by the way, maxwell’s record label, i’m walking to you too.

jennifer hudson – special

album due early 2008

well ok this one has been pushed back too but she has been slightly busy. can’t wait for the satc movie. time will tell whether her big personality draws her into more and more film roles and away from the recording studio. and as she blew away beyonce in dreamgirls, i wouldn’t fancy the chances of anyone releasing at the same time.

jill scott – hate on me

album due late september

i like the bigger sound she’s going for here. the laidback neo soul is nice but this sounds fresher. i wonder what made jill more successful than angie stone in the end? both are on a level talentwise but jill seems to have come out on top.

lauryn hill – lose myself

album due…about 8 years ago

ok so she didn’t want to do another ‘miseducation’ and that’s her choice. creative and personal freedom is all very well and good but she doesn’t exactly look happy as the freakshow she’s turned into. don’t hold your breath, judging by this track it might not be worth it anymore.

mariah carey – love

album due november

well, how to follow the career saving ‘mimi’? hooking back up with longtime collaborators bone thugs’n’harmony is a start. i don’t doubt the album will be quality, i just hope she continue to keep the ballads to a minimum. and starts to acknowledge the fact that she’s pushing 40 and puts on some clothes and stops singing about ‘boys’.

teairra mari – missing you

album due…when she gets a deal?

better than rihanna in most respects, she fell down on likeability. jay-z totally misread the market on this one – disliked by parents as a bad influence, feared by her peer group as more experienced and annoyed the fuck out of those older and wiser by acting like she knew it all. she can sing though and with the right image and material should make a comeback.

trey songz – wonder woman

album due october

trey occupies an interesting space as a bad boy with eloquence. hopefully this contradiction in marketing terms can be overcome as his debut was solid but flopped badly.

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00s brit soul – national identity June 3, 2007

finally, after the copycat 80s and highs and lows of the 90s, british soul was ready to take on its own identity.

one of the first ways in which it achieved this was by redefining soul. house and garage were big business in the 90s, but the urban clubs and superclubs rarely mixed. typically, r&b was a smaller room adjacent to the the cheesier, townie clubs and didn’t even get a look in at cream, renaissance and the ministry of sound.

 

the speed garage scene that took off in the late 90s eventually slowed to a two step beat, and created a completely new sound. r&b vocals were married to stuttering, club-friendly beats and for a few years, between 1999 and 2002, uk garage was the sound of young UK.

 

after the inevitable drop in demand, uk hiphop and r&b were faced with a decision. either they could continue to emulate their US counterparts or they could use elements of uk garage to make their output distinctly british.

now we have traditional soul, copycat r&b, grime and some artists that defy classification and confuse the hell out of the yanks. we’re back in business…

 

twelve very different uk tracks from the 00sdownload here


 

 

 

 

 

 

 

 

 

 

lemar – if there’s any justice

the only good thing to come out of the dull fame academy, simon cowell surely wishes he’d been able to get to lemar first. lemar, like girls aloud, has truly transcended his reality show beginnings and is pretty much the best current british male r&b act.

 

 

misteeq – why

south london girl band who leveraged links with the so solid crew to create a successful career in the early 00s. swiftly shook off their uk garage roots by the time they reached their second album in 2002. the group split largely due to their label, polydor, sinking after investing way too much in tone deaf victoria beckham. that’s got to hurt.
 

unklejam – love ya

relative newcomers who have been blessed/cursed with the ‘sounds a bit like prince‘ tag. time will tell if there is more to them than this track, but the odds are in their favour with the hype reaching all corners of the globe right now. another myspace success.

 

 

 

 

 

 

 

 

 

 

 

sadie ama – so sure

shola’s little sister had a valuable induction into the industry at an early age, and she’s making some good choices production-wise, collaborating with the likes of kano and terror danjah amongst others. looks and sounds exactly the same – with shola expected to relaunch anytime soon, could be interesting.

 

 

 

 

 

 

 

 

 

 

conner reeves – oughtabelaw

irish soul boy who first came to prominence in the late 90s. this track from last year deserved way more attention. possibly one of the breed of artists that has suffered greatly from the download revolution as his image doesn’t quite fit his music. i always think people navigate this poor fit by just grabbing the audio.  

 

 

 

 

 

 

 

 

 

 

 

 

emmanuel and terri walker – flirtin’

always tipped to break through. hopefully it will happen for her before she is talked into a beverley knight-style commercial compromise. this track is from emmanuel‘s 2006 project that featured numerous british soul artists on his productions.

 

 

 

 

 

 

 

 

 

keisha white – open like so

came through around the same time as keyshia cole, and is far more talented, but received about 5% of the promotion. so, keyshia collaborates with p diddy and is set to release her second album whilst keisha‘s future is unknown. harsh. a good example of why leona lewis has been whisked off to the us.

 

 

 

 

 

 

 

 

 

 

 

nate james – universal

actually received some promotion around his debut in 2005, and it did ok. i’m going to be lazy and say he’s a hybrid of stevie wonder and lenny kravitz and worthy of your attention. hopefully an association with next big thing, sway, will catapult him back into the limelight.

 

 

 

 

 

craig david – seven days with mos def

back in 2000, referring yourself in the third person was even more ridiculous than it is now. the ensuing bo selecta parody may outlive his music in the nation’s consciousness if he doesn’t pull his finger out soon. craig, unfazed, still refers to himself in the third person when appearing on mtv cribs showing us how all his cash has enabled him to construct a state of the art pulling den. no women in sight though, and you can’t swing a jocasi bag round london without hitting someone he’s tried it on with.

 

 

 

 

 

 

 

 

ms dynamite – fall in love again

made a good contract choice and got the promotion other uk artists would kill for. this resulted in numerous awards for her debut album which, although nice enough, sounds dated only five years later. this track, from her largely ignored second album, will hopefully age a bit better.

 

 

 

 

 

 

 

spl2rge – scuse me

like unklejam, appear to be on the verge of big things, promotion notwithstanding. i never hold my breath on these things anymore.

 

 

 

 

 

 

 

taio cruz – i just wanna know

mario soundalike who can’t be accused of trying to create a british identity. which is fair enough. we don’t want to end up like the irish, who have to be irish all the time.