dirty martini

old music for new people

nite flite…the first sunset May 2, 2008

last week i was working from home (…) and an advert for ‘nite flyte’, a ‘new’ cd, came on tv, and i was momentarily disoriented and didn’t know what year it was. seriously!

back in the 80s, nite flyte compilations were for the discerning yuppie soul boys and girls – yes those who hung out drinking wine spritzers by night, and pretended to be upwardly mobile by day in their now slightly tragic accountancy/estate agent/banking careers.

the cover art is the same – there were three nite flyte compilations back in the day, but you wouldn’t have guessed unless you saw the tracklisting. the new cd is a summary of the three but it’s not promoted as ‘best of nite flite’ or the ‘anniversary edition’. it’s just there, it’s like we’ve slipped back 20 years

this is weird – the compilations surely weren’t that successful back when more people actually used to buy music? why bother?

download here

alexander o’neal – do you wanna like i do

anita baker – caught up in the rapture

bobby womack – i wish you didn’t trust me so much

chaka khan – through the fire

controllers – stay

eugene wilde – gotta get you home

el debarge – stay with me

force md’s – love is a house

freddie jackson – hey lover

george benson – kisses in the moonlight

glenn jones – show me

gregory abbott – shake you down

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in the air tonight June 6, 2007

khi_night.jpg 

if you’re in the mood, or trying to attract someone’s attention, you might text the name of your loved one to one of the numerous music channels and get a request played. but they need to be aware that you’re doing so or they’ll be watching one of a hundred other channels – which misses the point, and the element of surprise. this was one of the good things about local radio.local radio djs were smooth. they played soothing sounds that you wouldn’t normally hear on daytime radio. they didn’t try to be cool – if it was popular, they played it.people do still listen to the radio, and its a lot less tricky in these days of dab stations, which have removed the need to stand in front of the radio holding the aerial up at funny angles to get a decent reception.

twenty years ago, if you sent out a similar request on a late night radio show, you could be reasonably certain that either the intended recipient or at least one of their friends, would hear it. the song we chose for our dedication was most likely sophisticated beyond our years. even though we did have younger artists in the 80s, like five star, new edition, debbie gibson and countless others, most soul music was adult. we were listening to artists singing about relationships, emotions and situations we couldn’t possibly understand.

so, as a result, instead of the obsession with youth that appears to start as early as age ten nowadays,we actually wanted to be older. thirty, to be precise. thirtysomethings were glamorous and the had the kind of lifestyle I looked up to. they went to clubs, restaurants, had exotic holidays, exciting friends and dramatic relationships. john hughes movies aside, most popular 80s tv shows and movies, bar those specifically produced for kids, focused on older characters, not those that still lived with their parents.so ironically, I wanted to be the age I am now, twenty years ago, and now that I am, I’m made to feel like I should want to be younger. but i don’t – the thought of being someone who didn’t grow up in the 80s and experience real life terrifies me much more than getting older.

late night dedicationsdownload here 

alexander o’neal – if you were here tonight
his first solo single, and classic.

anita baker – caught up in the rapture
apparently inspired mary j blige to become a singer.
controllers – stay
typical 80s slow jam.

eugene wilde – gotta get you home
later sampled/covered by foxy brown and blackstreet.

force md’s – tender love
later covered by cockney soul boy kenny thomas.

freddie jackson – rock me tonight
what happened to freddie?

gap band – yearning for your love
one of those songs you’ve heard before…but didn’t realise.

george benson – in your eyes
from smooth jazz to weepy ballad.

gregory abbott – shake you down
very popular last dance at many an 80s club.

isley brothers – choosey lover
this was later covered by aaliyah.

janet jackson – let’s wait a while
slightly different version from control the remixes – more tinkly.

kool and the gang – cherish
anyone from the uk remember anton singing this on popstars the rivals?

luther vandross – so amazing
vintage luther. tribute version by beyonce and stevie wonder.

melisa morgan – do me baby
prince cover, actually think i prefer this version.

midnight star – slow jam
one of the first 80s slow jams – covered later by usher and monica.

 

the queen of hip hop soul? May 23, 2007

how have i got this far without doing a post on mary?

mary j.blige isn’t labelled the queen of hiphop soul lightly. when she arrived in 1992, the only artist that had even come close to what she did when she debuted were en vogue. they too mixed hiphop beats and soul vocals, but they did so without being street. en vogue merely used the beats – mary was the beats. she was hiphop, she just didn’t choose to rap.
growing up in yonkers, she was surrounded by pioneering hiphop such as run dmc and grandmaster flash. but the sentiments of these artists didn’t match the experiences of a teenage girl. mary sought solace in soul artists like anita baker who sang about realtionships and wanting someone you can’t have. it was the synergy of these two cultures that would later give mary her edge.
when i first saw ‘real love’ on mtv in 1992, everything made sense. i liked hiphop and i liked soul but they didn’t individually feel that relevant to me. i was too young to fully appreciate smooth soul productions and too far removed from the realities of hiphop lyrics. mary sang about things i could relate to as a 16 year old and added a touch of danger. it was a genre of music i had been waiting for, only i didn’t know it.
many fans have stated that mary produces her best work only when she’s suffering. true, her first two albums are my favourite but at the time i knew nothing about her personal demons. in fact her last studio album, ‘the breakthrough’ echoed those days, but she is now blissfully happy with producer kendu. i’m sure no one would really wish trainwreck kci hailey on her again…
ten lesser known mary tracksdownload here
you remind me
even though this was her first single, fans who joined the mary train later in the 90s won’t be so familiar. this remix captures the essence of 1992 and a summer day like nothing else.
reminisce
another hit from ‘what’s the 411’, remixed to feature pete rock and cl smooth and grab portions of ‘they reminisce over you’. see what they did there?
changes i’ve been going through
‘what’s the 411’ album track that really drilled the message home – this was not soul music in the traditional sense.
you don’t have to worry
411-era track from the ‘who’s the man?’ soundtrack. this is the soundtrack version, not the remix version that was more widely available.
love no limit
so ubiquitous you would have thought it was a single. bad boy remix that still gets played out today.
be with you
duet with lauryn hill originally intended for the ‘my life’ album. lauryn sounds young. at the time she had just released her first fugees album with pras and wyclef.
if i don’t love you this way
cover of jackson five classic from the ‘my life’ era. included on some international releases.
everyday it rains
from the 1995 ‘the show’ soundtrack. sounds like it could have been from either of the the sessions for the first two albums.
get to know you better
‘share my world’ album track. should have been released.one of my favourites.
he think i don’t know
from the ‘no more drama’ repackage.