dirty martini

old music for new people

2008: the newcomers January 3, 2009

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2008 was not only a year of comebacks but a year when, contrary to the declining viability of the music industry as a means by which to make an above average living, new artists emerged and those waiting in the wings made their debut.

and nkotb have been gone so long they count as a new act in my book.

these are my favourites of 2008.

download 2008 newcomers

candy hill – head gone

don’t know much about these girls. teairra mari featuring on this track is interesting. she might be better off joining them than trying to relaunch her solo career. i miss the days of tlc, swv and xscape.

jazmine sullivan – need you bad

have been hearing about this girl for a few years now. it seems like she had a failed contract a few years back which explain why there are so many tracks floating around that aren’t on the album.

jennifer hudson – all dressed up in love

i wonder if jennifer can ever really recover from what has happened, i don’t know. she was great in ‘sex and the city’ and i expect her to push forward with the acting now moreso than the music. somehow i think she will feel that is more appropriate and the accompanying promotional activity will be less about her and more about the characters.

karina pasian – 16 at war

born in 1991 – eek! not a typical def jam artist and i mean that as a compliment. her debut ‘first love’ didn’t exactly set the world alight but she has plenty of time and it was no reflection on the quality of the music.

michelle williams – unexpected

michelle’s mainstream debut was hotly anticipated as a the album to finally shut down beyonce or a damp squib depending on which camp you fell into. as it is, she didn’t even outsell kelly rowland.

nkotb – 2 in the morning

not strictly new artists, and would never have seen the light of day if they had been, truth be told. this was the track from ‘the block’ that showed their progression. i’m going to see them later this month…i will try to exercise some restraint but can’t promise anything.

santogold – shove it

seems to get a bit narky when labelled a hiphop/r&b artist. she isn’t, and i don’t care for most of her music but i liked this reggae track since i heard it on C4’s Transmission.

solange – sandcastle disco

sol-angel? nothing really that angelic about having a baby at 17, if we’re being picky. if beyonce had released this album, however, everyone would have lapped it up. it’s much better than her own.

stephanie mckaye – this letter

not to be confused with stephanie kay, wildchild of degrassi junior high. i wonder how many people reading this are old enough to get that…anyway, i hadn’t heard of her until her second album ‘tell it like it is’ dropped in 2008. kind of retrosoul/neo-soul fusion.

uness – woman got culture

his official arrival is taking forever…i could have put him on this list for the last few years. is it the state of the music industry or something else? how next selection can rush out a weak artist like cassie but sit on uness is beyond me.

 

2008: the comebacks

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despite declining sales, labels continued to throw money and effort into album promotion instead of finding new and creative ways to make money from music. which is now basically free, let’s face it.

i enjoyed these the most of all the comebacks last year.

download the comebacks of 2008

anthony hamilton – the day we met

consistent and underrated, anthony hamilton’s new album ‘the point of it all’ is a little more punchy, i think, than his previous efforts. it’s worth seeking out his mostly unknown 1996 debut if you like this side of him.

ashanti – you’re gonna miss

ashanti is that girl who has more male friends than female. she gets a lot of hate, but, she delivers some good music. ‘the declaration’ was a solid effort that would have achieved more had it not been for her audience connection issue mentioned previously, and the state of the music industry.

beyonce – single ladies

well, if you thought ‘bday’ was a disappointment…i’m hoping some of the other tunes on ‘i am…sasha fierce’ will grow on me. there’s nothing groundbreaking there though. i did love the fact that she appeared on x factor to sing with alexandra though. who, by the way, i think outsings her on ‘listen’ when she sings solo.

common – sex 4 sugar

common is taking a more commercial route this time round with ‘universal mind control’. that’s ok, it works.

erykah badu – honey

..speaking of which, his formerly crazy former missus has also lightened up a bit. see, it didn’t hurt that much did it? but for a time there it looked as if she had a touch of the lauryn hills.

john legend – can’t be my lover

i tried but failed to get into ‘once again’ but i’m loving the return to form on ‘evolver’. the reggae tracks are totally his comfort zone and the euro-electro tinged tracks even work, much as i am hating this current trend, which should in my opinion have started and ended with britney’s ‘gimme more’.

keyshia cole – where this love could end up

keyshia was hailed as the new mary. to my mind, she has not evolved or developed even slightly past her 2004 debut. this is not to say that ‘just like you’ and ‘a different me’ are bad – they’re as good as ‘the way it is’. if prince were to unleash another few albums that took up where ‘1999’, ‘purple rain’ or ‘sign of the times’ left off then this would be eaten up. but keyshia’s not prince.

mariah carey – i’ll be loving you long time

‘e=mc2’ is nowhere near as good as ‘mimi’ let’s get that out of the way. and ‘touch my body’ is shit. but as r&b albums go it’s head and shoulders above most of the crap we get launched at us these days and everyone is so relieved to see her settled and wearing some clothes for once that this is good enough.

raheem devaughn  – woman

a consistent neo-soul artist who returned in 2008, like clockwork, with ‘love behind the melody’. despite the rubbish neo-soul genre tag, surely grown up soul is where the money’s at these days?

raphael saadiq – sure hope you mean it

like several others, mostly brit, artists, he went the retro route. to great effect and in a far more authentic and endearing way than gimmicky amy winehouse and duffy. raphael has, of course, been doing this since his tony toni tone days. i could have picked almost any of the tracks from ‘way i see it’ as my favourite.

snoop dogg – cool

not much promotion behind ‘ego trippin’ as it goes, which is a shame cos i heart the retro flow of this prince-inspired track and ‘sensual seduction’.

usher – before i met you

i wonder if poor old usher realised just how critical the salivating teen girls and his momager were to his success? not at all, apparently, until ‘here i stand’ bombed and he bricked it. marrying a ropey looking older woman when you have the pick of a population? bratz generation say what?