dirty martini

old music for new people

garage city: masters at work June 25, 2008

by 1993 it was clear that us heavyweights david morales and masters at work would define the 90s garage scene. david went for the house crowd with vocal club bangers and the big money remixes. masters at work retained their latin flavour and took on leftfielders like jamiroquai and brand new heavies.

i made my first trip to the ministry of sound that year and was almost perplexed by the alcohol free bar and bizarre location. a million miles from the clubs up and down the country who were rocking the hell out of ‘oh carolina’ and ‘mr vain’ and peddling test tube cocktails.

how different my 17th birthday could have been if I had lived in London and able to frequent the ministry more often…instead of technicolour vomit and fat djs I could have been shaking it to a legend.

download 1993 mix

bizarre inc – took my love

hardrive – deep inside

sound of one – as i am – fire island mix

jamiroquai – emergency on planet earth – danny tengalia remix

shara nelson – down that road – def classic mix

mariah carey – dreamlover – def club mix

dajae – u got me up – danny tenaglia mix

ten city – fantasy – masters at work mix

janet jackson – if – brothers in rhythm mix

joe roberts – lover – k-klass klub mix

judy cheeks – so in love – west end in love club mix

martha wash – give it to you – maurice’s underground playground mix

aftershock – slave to the vibe – club mix

black sheep – strobelight honey – def mix

house of virginism – i’ll be there for you – stone’s club mix

masters at work – i can’t get no sleep – her fantasy mix

reese project – so deep – k.o.k club mix

incognito – givin’ it up – uplifting club mix

garage city 1992

garage city 1991

 

garage city: do you want it right now May 14, 2008

in 1992, some enduring garage classics arrived – the robin s, degrees of motion and shawn christopher classics in this mix are still played out in garage sets today, 16 years on.

1992 was my favourite year, there was just something about it. i just about passed my gcse’s after ‘studying’ on the beach during revision leave. spent the summer alternating between downing bottles of 20/20 wine on the sea front to flashing my fake id at lazy bouncers and most of the time, getting away with it.

then i started college and within the space of a year everything had changed. my college was full of grungey indie kids and goths, but we managed to co-exist.

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luther vandross and janet jackson – best things in life are free

aly-us – follow me

was not was – shake your head

ce ce peniston – we got a love thang

rapination and kym mazelle – love me the right way

funky green dogs – reach for me

degrees of motion – do you want it right now

shawn christopher – don’t lose the magic

reese project – colour of love

ann consuelo – see the day

cajmere and dajae – brighter days

inner city – pennies from heaven

robin s – show me love

mk and alana – always

c&c music factory – a deeper love

degrees of motion – shine on

juliet roberts – i want you

 

garage city: the beginning April 26, 2008

the bacardi club chart was the closest i really ever got to garage in 1991. i was still at school, after all.

on the occasions my borrowed/faked ID got my 15 year old self in to a club or bar (and this is 91 so we are talking wine bar not the current club/bar/chill incarnation), it was either playing music ten years out of date, or simply red. and i had to be home by 12 unless we were puling the old ‘say you’re staying at mine and i’ll say i’m staying at yours’ trick. becuase if you’re sleeping over at a friend’s…you would need a sheer chiffon shirt with hotpants. good job my mum had stopped trying to pack overnight bags for me by then.

we did have the occasional illegal night put on in some dodgy warehouse but i only remember ever going to one. and of course, 1991 was mostly about rave anyway.

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brand new heavies – stay this way – morales’ eclipse mix

mariah carey – someday – new 12 inch house mix

incognito and jocelyn brown – always there – morales mix

fortran 5 – look to the future – joey negro future reality mix

reese project – direct me – joey negro disco blend mix

alison limerick – where love lives – classic mix

dionne – if u want my love

deep sleep – love me

korda – move your body

mass order – lift every voice – classic boot mix

jomanda – got a love for you – hurley’s house mix

mk and alana – burning – mk mix

those guys – tonite

djaimin – give you – syndromad mix

mariah carey – emotions – 12″ club mix

ce ce peniston – finally – classic mix

m people – how can i love you more

 

 

it’s not just a london thing… September 2, 2007

tower-blocks.jpg

 in the early 90s, clubbers fell into two camps – the hiphop/r&b crowd and the house/garage/techno crowd. the latter was far more dominant and you would find that most clubs had a main floor playing cheesy house and a smaller room with a cooler crowd playing funkier beats. you had to go to a proper club to hear real house music.

i liked both, and often wondered what an amalgamation of the two would sound like. but it made my brain hurt. several years later it became evident that others had been thinking the same thing, and new sounds started to emerge.

there were two distinct types of speed garage, as it was called then. two step was slower and used an entirely new beat, and four-four garage, bassline house, speed garage, raggage, whatever you want to call it, was basically US garage speeded up. speed garage adopted the jungle attitude, was strictly a london thing, and jacked many of its sound effects, but it was more danceable for the rhythmically challenged.

incidentally, the londoncentricity that prevailed can, i believe, claim the demise of jungle, speed garage and uk garage as directly attributable. the rest of the UK fights a constant, and sometimes imaginary, battle against the capital’s dominance. interestingly, southerners didn’t reject the madchester scene for being too northern.

new scenes don’t just take over the saturday night dancefloor. they have to work their way up. so, in 1995, speed garage became known as ‘the sunday scene’ at clubs such as spread love, deja vu, twice as nice and cookies and cream. the pirates, most notably freek fm, magic fm and erotic fm, had been playing garage for years, but in the mid 90s, they all but ditched us garage and drum’n’bass to promote the new uk sound.

this is a mix of the early speed/four-four garage tracks, including some that were ahead of their time and subsequently got played out years later as they fitted into the current mix. this is the sound of poky rooms in shared houses, pirate stations blaring out of clapped out cars racing around wood green. out clubbing for the third night in a row and no signs of stopping. good times.

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bizzi – bizzi’s party – booker t mix

kristine blond – loveshy – club mix

jodeci – freek you up – mk dub

187 lockdown vs natural born chillers – rock the funky beats – beatdown mix

gant – sound bwoy burial – 187 lockdown mix

sound of one – as i am – todd edwards mix

scott garcia – a london thing

sneaker pimps – spin spin sugar – armand van helden mix

same people – dangerous

double 99 vs another level – be alone no more

x-presidents – diamond rings

all saints – never ever – booker t vocal mix

juliet roberts – so good – booker t mix

n’n’g – right before my eyes – grant nelson mix

nightcrawlers – push the feeling on – the dub of doom

robin s – show me love – stonebridge mix

kim english – nite life – retail mix