despite declining sales, labels continued to throw money and effort into album promotion instead of finding new and creative ways to make money from music. which is now basically free, let’s face it.
i enjoyed these the most of all the comebacks last year.
anthony hamilton - the day we met
consistent and underrated, anthony hamilton’s new album ‘the point of it all’ is a little more punchy, i think, than his previous efforts. it’s worth seeking out his mostly unknown 1996 debut if you like this side of him.
ashanti – you’re gonna miss
ashanti is that girl who has more male friends than female. she gets a lot of hate, but, she delivers some good music. ‘the declaration’ was a solid effort that would have achieved more had it not been for her audience connection issue mentioned previously, and the state of the music industry.
beyonce – single ladies
well, if you thought ‘bday’ was a disappointment…i’m hoping some of the other tunes on ‘i am…sasha fierce’ will grow on me. there’s nothing groundbreaking there though. i did love the fact that she appeared on x factor to sing with alexandra though. who, by the way, i think outsings her on ‘listen’ when she sings solo.
common – sex 4 sugar
common is taking a more commercial route this time round with ‘universal mind control’. that’s ok, it works.
erykah badu – honey
..speaking of which, his formerly crazy former missus has also lightened up a bit. see, it didn’t hurt that much did it? but for a time there it looked as if she had a touch of the lauryn hills.
john legend – can’t be my lover
i tried but failed to get into ‘once again’ but i’m loving the return to form on ‘evolver’. the reggae tracks are totally his comfort zone and the euro-electro tinged tracks even work, much as i am hating this current trend, which should in my opinion have started and ended with britney’s ‘gimme more’.
keyshia cole – where this love could end up
keyshia was hailed as the new mary. to my mind, she has not evolved or developed even slightly past her 2004 debut. this is not to say that ‘just like you’ and ‘a different me’ are bad – they’re as good as ‘the way it is’. if prince were to unleash another few albums that took up where ’1999′, ‘purple rain’ or ‘sign of the times’ left off then this would be eaten up. but keyshia’s not prince.
mariah carey – i’ll be loving you long time
‘e=mc2′ is nowhere near as good as ‘mimi’ let’s get that out of the way. and ‘touch my body’ is shit. but as r&b albums go it’s head and shoulders above most of the crap we get launched at us these days and everyone is so relieved to see her settled and wearing some clothes for once that this is good enough.
raheem devaughn – woman
a consistent neo-soul artist who returned in 2008, like clockwork, with ‘love behind the melody’. despite the rubbish neo-soul genre tag, surely grown up soul is where the money’s at these days?
raphael saadiq – sure hope you mean it
like several others, mostly brit, artists, he went the retro route. to great effect and in a far more authentic and endearing way than gimmicky amy winehouse and duffy. raphael has, of course, been doing this since his tony toni tone days. i could have picked almost any of the tracks from ‘way i see it’ as my favourite.
snoop dogg – cool
not much promotion behind ‘ego trippin’ as it goes, which is a shame cos i heart the retro flow of this prince-inspired track and ‘sensual seduction’.
usher – before i met you
i wonder if poor old usher realised just how critical the salivating teen girls and his momager were to his success? not at all, apparently, until ‘here i stand’ bombed and he bricked it. marrying a ropey looking older woman when you have the pick of a population? bratz generation say what?